AfroMundo Festival: “Narratives of Power: Myth, History, and the Stories that Shape Us”
Sunday, April 12, 2026
7:00 pm
NHCC | Wells Fargo Auditorium
2026 AfroMundo Festival: “Futurism: Manifesting the Envisioned”
Featured Regions: U.S. & U.S. Territories: Puerto Rico, Virgin Islands, Guam, American Samoa, Mariana Islands
Literary Reading with Samoan storyteller Gabby Langkilde; Puerto Rican poet, Dr. Eleuterio Santiago-Diaz; and Virgin Islands’ author, Tiphanie Yanique. Followed by panel discussion and Q&A moderated by Dr. Belinda Deneen Wallace, Director of UNM’s Liberal Arts and Integrative Studies Program.
The 2026 AfroMundo Festival is free to the general public with limited seating and includes films, concerts, literature, oral traditions, panel discussions, culinary and other arts to foster a greater understanding of our shared humanity. Learn more at afromundo.org.
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Panel discussion with:
Gabby Langkilde is a Samoan storyteller and the founder and executive editor of Pasefika Presence. Born and raised on the island of Tutuila in American Samoa, her love for storytelling was cultivated early in life —listening to ancient Samoan legends shared by her grandfather and later crafting her own tales for cousins, friends, and family to enjoy. She earned her bachelor’s degree in Women, Gender, and Sexuality Studies from Harvard College, where she wrote ‘Pasefika Presence,’ one of the first recurring columns in The Harvard Crimson to center Pacific Islander perspectives and issues. After graduating, she returned home to American Samoa and worked as an eighth-grade social studies teacher, and in 2023, she founded Pasefika Presence as an online, submission-based magazine uplifting Pacific Islander stories and art. Rooted in the same commitment to centering Pacific Islander perspectives as her original column, Pasefika Presence began as a way to engage her students in Pacific storytelling and has since grown into an international platform that has published two issues and received hundreds of submissions from creatives across the Pacific and its diasporas. Gabby went on to be awarded a Fulbright U.S. Graduate Award to pursue research in Auckland, New Zealand, and received an East-West Center Graduate Degree Fellowship to complete her master’s degree in Pacific Island Studies at the University of Hawai‘i at Mānoa. Today, she continues to guide Pasefika Presence while using storytelling, education, and research to empower Pacific communities and expand space for Pasefika voices.
https://www.pasefikapresence.org
Dr. Eleuterio Santiago Diaz is a poet, professor, and literary critic. Upon graduation from the University of Puerto Rico, Santiago-Díaz worked as a teacher of Spanish, physical education and industrial arts, and as a librarian in Puerto Rican elementary schools. He earned a Master’s degree in Spanish from the University of California at Santa Barbara and a Ph.D. in Hispanic Studies from Brown University, and is currently an Associate Professor in the Department of Spanish and Portuguese at the University of New Mexico. His teaching and research center on Afro-Caribbean and Caribbean literature examined in light of theories of race, writing and modernity; Latino-Caribbean literature in the United States; and Modern Latin American poetry. Before joining UNM, he taught language and literature in the departments of Spanish and Portuguese and African and Diaspora Studies at Tulane University, at Cambridge Community College and at St. Cloud State University. Santiago-Díaz is the author of the poetry books Árbol de plaza talado en su novena edad (Ciudad de México, Ediciones del Lirio, 2021) and Breaths (Albuquerque, NM: University of New Mexico Press, 2012), the scholarly book Escritura afropuertorriqueña y modernidad (Pittsburgh, PA: IILI/University of Pittsburgh, 2007), and articles published in academic journals and anthologies such as Revista Iberoamericana, Confluencia, Bilingual Review, Revista de Literatura, História e Memória, and Marvels of the African World: Cultural Patrimony, New World Connections, and Identities (Trenton, NJ: Africa World Press, 2003). Pending publication, he has several creative projects: the poetry books Kernel and The Mollusk and the Thumb, and a collection of short stories titled El Circo.
Tiphanie Yanique is the author of the novel, Monster in the Middle, which was published in 2021 and on numerous best of the year lists. Monster in the Middle was a finalist for the Lambda Literary Awards and is a finalist for the Townsend Prize. Tiphanie is also the author of the poetry collection, Wife, which won the Bocas Prize in Caribbean poetry and the United Kingdom’s Forward/Felix Dennis Prize for a First Collection, the novel, Land of Love and Drowning, which won the Flaherty-Dunnan First Novel Award from the Center for Fiction, the Phillis Wheatley Award for Pan-African Literature, and the American Academy of Arts and Letters Rosenthal Family Foundation Award. Land of Love and Drowning was also a finalist for the Orion Award in Environmental Literature and the Hurston-Wright Legacy Award. She is the author of a collection of stories, How to Escape from a Leper Colony, which won her a listing as one of the National Book Foundation’s 5Under35 and the Bocas Prize in Fiction. Her writing has won the Boston Review Prize in Fiction, a Rona Jaffe Foundation Writers Award, a Pushcart Prize, an Academy of American Poet’s Prize and two Fulbright Scholarships. Tiphanie is also an outspoken activist on behalf of the Caribbean, having appeared on Democracy Now! with Amy Goodman, and published an op-ed in The New York Times on the US response to hurricanes in the Caribbean. Tiphanie is from the Virgin Islands and is Professor at Emory University.
MODERATOR: Dr. Belinda Deneen Wallace, Dr. Belinda Deneen Wallace (she/her) is an Associate Professor in the Department of English Language and Literature and the Director of the Liberal Arts and Integrative Studies Program at the University of New Mexico. She teaches classes and conducts research on Global Black Speculative Fiction, with an emphasis on Afrofuturism and Caribbean speculative literature. Her essays have appeared in a number of journals, including Small Axe, Cultural Dynamix, and Radical Teacher and in several anthologies, including the forthcoming book, The Routledge Handbook of Latinx Visions, where she contributed a chapter that explores the intersections between Caribbean-speculative fiction and Latinx-futurism. Presently, she is editing a book on power, gender, and teaching speculative fiction in the college classroom. Belinda’s edited collection will be published in early 2027.