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DTSTART;VALUE=DATE:20230718
DTEND;VALUE=DATE:20230719
DTSTAMP:20260403T142527
CREATED:20230630T160454Z
LAST-MODIFIED:20230630T160454Z
UID:18448-1689638400-1689724799@nhccnm.org
SUMMARY:Cervantes Film Series: Dejarse crecer el cuerpo
DESCRIPTION:12:00 pm (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nCervantes Film Series: Zinegoak 20th anniversary. LGTBIQ+ Animation \nAs part of her thesis project\, filmmaker Andrea Gudiño proposed this animated documentary that brings us closer to the issue of sexual binarism. The possibility of using the experiences and personal testimonies of real people who do not appear in the image but are generated from an original use of materials and cinematographic techniques\, achieves an enormous visual and didactic impact\, one of the most effective resources in an animated documentary like this one. The short film is an interesting approach to different ways of conceiving identity\, the relationship with one’s own body and love. \nFree Community Event \n \nThe Cervantes Institute maintains its program dedicated to LGTBIQ+ identities by collaborating with institutions and monographic festivals to make their film series more visible. This year\, the program dedicated to highlighting the celebration of LGTBIQ+ Pride Day comes from the Basque festival Zinegoak\, which celebrates its twenty years of existence with the presentation of an animated film series whose films address this theme on our Vimeo channel. Throughout four weeks\, we will see short films that showcase a wide range of identities and LGTBIQ+ collectives through the different techniques that animation provides\, and we will also have the opportunity to enjoy several short films by young creators from Basque Country. \nProgram\nJuly 4: Azaletik azalera (2021)\, by Mel Arranz\nJuly 7: La mesa\, (2018) by Adrian Garcia Gomez\nJuly 11: Beti Bezperako Koplak (2016)\, by various directors\nJuly 14: Thara (2018)\, by Paco Ramírez and Tanya O’Carroll\nJuly 18: Dejarse crecer el cuerpo (2018)\, by Andrea Gudiño\nJuly 21: Ezohikoak (2022)\, by Alejandra Bueno\nJuly 25: Garelako (2015)\, by Usue Egia\nJuly 28: Makun (‘No llores’) (2015)\, by Emilio Martí
URL:https://nhccnm.org/event/cervantes-film-series-dejarse-crecer-el-cuerpo/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/06/Dejarse-crecer-el-cuerpo-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230721
DTEND;VALUE=DATE:20230722
DTSTAMP:20260403T142527
CREATED:20230630T161402Z
LAST-MODIFIED:20230630T161402Z
UID:18451-1689897600-1689983999@nhccnm.org
SUMMARY:Cervantes Film Series: Ezohikoak
DESCRIPTION:12:00 pm (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nCervantes Film Series: Zinegoak 20th anniversary. LGTBIQ+ Animation \nThrough a work with archival photographs\, the animator Alejandra Bueno creates a reinterpretation of the presence of women in Basque culture\, which combines the manipulation and intervention of these images with the oral enumeration of the functions traditionally attributed to women. The result is a provocative display of how to assume and reverse the elements of tradition and its representation to show its fissures and to open those meanings that are no longer viable or sustainable. In the process\, we will witness new representations of gender and sexual orientations that further dynamite the critical discourse. \nFree Community Event \n \nThe Cervantes Institute maintains its program dedicated to LGTBIQ+ identities by collaborating with institutions and monographic festivals to make their film series more visible. This year\, the program dedicated to highlighting the celebration of LGTBIQ+ Pride Day comes from the Basque festival Zinegoak\, which celebrates its twenty years of existence with the presentation of an animated film series whose films address this theme on our Vimeo channel. Throughout four weeks\, we will see short films that showcase a wide range of identities and LGTBIQ+ collectives through the different techniques that animation provides\, and we will also have the opportunity to enjoy several short films by young creators from Basque Country. \nProgram\nJuly 4: Azaletik azalera (2021)\, by Mel Arranz\nJuly 7: La mesa\, (2018) by Adrian Garcia Gomez\nJuly 11: Beti Bezperako Koplak (2016)\, by various directors\nJuly 14: Thara (2018)\, by Paco Ramírez and Tanya O’Carroll\nJuly 18: Dejarse crecer el cuerpo (2018)\, by Andrea Gudiño\nJuly 21: Ezohikoak (2022)\, by Alejandra Bueno\nJuly 25: Garelako (2015)\, by Usue Egia\nJuly 28: Makun (‘No llores’) (2015)\, by Emilio Martí
URL:https://nhccnm.org/event/cervantes-film-series-ezohikoak/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/06/Ezohikoak-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230725
DTEND;VALUE=DATE:20230726
DTSTAMP:20260403T142527
CREATED:20230630T145951Z
LAST-MODIFIED:20230630T145951Z
UID:18458-1690243200-1690329599@nhccnm.org
SUMMARY:Cervantes Film Series: Garelako
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nCervantes Film Series: Zinegoak 20th anniversary. LGTBIQ+ Animation \nWith a song by Eneko Sagardoy as a thematic and narrative pillar\, the writer and animator Usue Egia proposes a journey through various characters and stories that illustrate a call for freedom to everyone to define themselves and feel as they wish. \nGarelako\, by Eneko Sagardoy: “The gray sky will not suffocate us. We will flee to the sun. They want to put straw hearts on us. Let us feel what we prefer. If the bird’s wings are for walking\, if the whale is denied the sea\, we will see nothing but fiction. If above all words is the lie\, we will go forward\, whether you like it or not. If someone is free\, it is because we are all free. We will truly live with you or without you. You will realize it sooner or later. We are not monsters; we do not eat anyone. The sun warms us\, and the rain wets us. Now you have realized: we are flesh and blood\, like you. Marichico or Marichica\, they call us. Stop talking banally. Learn one thing well and keep it in your head\, that the only Mari is the one of Anboto”. \nFree community event \n \nThe Cervantes Institute maintains its program dedicated to LGTBIQ+ identities by collaborating with institutions and monographic festivals to make their film series more visible. This year\, the program dedicated to highlighting the celebration of LGTBIQ+ Pride Day comes from the Basque festival Zinegoak\, which celebrates its twenty years of existence with the presentation of an animated film series whose films address this theme on our Vimeo channel. Throughout four weeks\, we will see short films that showcase a wide range of identities and LGTBIQ+ collectives through the different techniques that animation provides\, and we will also have the opportunity to enjoy several short films by young creators from Basque Country. \nProgram\nJuly 4: Azaletik azalera (2021)\, by Mel Arranz\nJuly 7: La mesa\, (2018) by Adrian Garcia Gomez\nJuly 11: Beti Bezperako Koplak (2016)\, by various directors\nJuly 14: Thara (2018)\, by Paco Ramírez and Tanya O’Carroll\nJuly 18: Dejarse crecer el cuerpo (2018)\, by Andrea Gudiño\nJuly 21: Ezohikoak (2022)\, by Alejandra Bueno\nJuly 25: Garelako (2015)\, by Usue Egia\nJuly 28: Makun (‘No llores’) (2015)\, by Emilio Martí
URL:https://nhccnm.org/event/cervantes-film-series-garelako/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/06/Garelako-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230728
DTEND;VALUE=DATE:20230729
DTSTAMP:20260403T142527
CREATED:20230630T142757Z
LAST-MODIFIED:20230630T142757Z
UID:18461-1690502400-1690588799@nhccnm.org
SUMMARY:Cervantes Film Series: Makun (No llores)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nCervantes Film Series: Zinegoak 20th anniversary. LGTBIQ+ Animation \nEmilio Martí’s creative trajectory demonstrates his commitment to social issues that highlight our problems with coexistence and solidarity in today’s society. Since his short film Desanimado (2011)\, winner of countless awards\, his work has not stopped betting on a lively and effective story-telling and emotional resonance\, always using animation as an expressive key. With this short film\, which also won several awards\, he brings us closer to the harsh reality of the Internment Centers for Foreigners (CIE) and the personal experiences of immigrants. \nFree Community Event. \n \nThe Cervantes Institute maintains its program dedicated to LGTBIQ+ identities by collaborating with institutions and monographic festivals to make their film series more visible. This year\, the program dedicated to highlighting the celebration of LGTBIQ+ Pride Day comes from the Basque festival Zinegoak\, which celebrates its twenty years of existence with the presentation of an animated film series whose films address this theme on our Vimeo channel. Throughout four weeks\, we will see short films that showcase a wide range of identities and LGTBIQ+ collectives through the different techniques that animation provides\, and we will also have the opportunity to enjoy several short films by young creators from Basque Country. \nProgram\nJuly 4: Azaletik azalera (2021)\, by Mel Arranz\nJuly 7: La mesa\, (2018) by Adrian Garcia Gomez\nJuly 11: Beti Bezperako Koplak (2016)\, by various directors\nJuly 14: Thara (2018)\, by Paco Ramírez and Tanya O’Carroll\nJuly 18: Dejarse crecer el cuerpo (2018)\, by Andrea Gudiño\nJuly 21: Ezohikoak (2022)\, by Alejandra Bueno\nJuly 25: Garelako (2015)\, by Usue Egia\nJuly 28: Makun (‘No llores’) (2015)\, by Emilio Martí
URL:https://nhccnm.org/event/cervantes-film-series-makun-no-llores/
CATEGORIES:Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/06/Makun-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231022
DTEND;VALUE=DATE:20231023
DTSTAMP:20260403T142527
CREATED:20231003T170205Z
LAST-MODIFIED:20231003T170205Z
UID:19331-1697932800-1698019199@nhccnm.org
SUMMARY:The Runaways: Living Composers from Spain in New York City
DESCRIPTION:6:00 pm \nAMP Concerts and Cervantes Institute Albuquerque presents The Runaways: Living Composers from Spain in New York City. The Runaways is a solo piano and vocal performance of works by contemporary composers from Spain who have expanded their creative borders by moving to New York City. Rosa Torres-Pardo (piano) and Anna Tonna (mezzo soprano) will explore these captivating crossroads through the music of contemporary Spanish-American composers Sonia Megías\, Octavio Vazquez and Ricardo Llorca. \nThe concert will be preceded by a talk by composer Ricardo Llorca\, who will delve into the fascinating interaction between Spanish and American musical traditions\, highlighting the profound influence each has had on the other. \nFree Community Event\, generously supported by AARP New Mexico. Please register below or call the NHCC Welcome Center at 505-724-4771 for assistance.
URL:https://nhccnm.org/event/the-runaways-living-composers-from-spain-in-new-york-city/
LOCATION:Roy E. Disney Center for Performing Arts: Bank of America Theatre\, 1701 4th Street SW\, Albuquerque\, NM\, 87102
CATEGORIES:Instituto Cervantes,Music,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/09/Poster-The-Runaways.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231117
DTEND;VALUE=DATE:20231118
DTSTAMP:20260403T142527
CREATED:20231114T202449Z
LAST-MODIFIED:20231114T202459Z
UID:19622-1700179200-1700265599@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Descartes (2021)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \n In 2016\, a search for information began in Filmoteca Española for a research projection on the documentary film Rocío\, which had been censored in the early 1980s. Among the materials deposited in its warehouses were 260 rolls of 16 mm photo negatives. They were the leftovers of the editing\, footage that was left out of the final version. The forgotten images of a banned film come to life on the screen after forty years in Descartes. \nFree Community Event. \n \nAbout the film series: Instituto Cervantes presents Arrebato en celuloide: Flashes of light and other divergences in Spanish cinema\, a new film program that shows a selection of works by authors who use the super-8 analog format for their creations. This series is based on the Spanish film program Mostra Internacional de Cinema Periférico de A Coruña. The director of the Galician festival\, Ángel Rueda\, has selected eight short films that speak to the cinematographic experience founded as an aesthetic precedent by Iván Zulueta. \n 
URL:https://nhccnm.org/event/instituto-cervantes-film-series-descartes-2021/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/11/IM_86921_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231121
DTEND;VALUE=DATE:20231122
DTSTAMP:20260403T142527
CREATED:20231114T203619Z
LAST-MODIFIED:20231114T203619Z
UID:19624-1700524800-1700611199@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Toxos e flores (2016)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nA portrait of the landscape of the San Sadurniño area. Natural architectures\, still-lifes\, spaces of green lights and absolute browns. Filmmaker Lucía Vilela explores the texture of the cut wood\, the tiles on the roofs of the houses\, the tops of the trees that follow the cadence of the drums of Mociños de Igrexafeita (1971)\, a popular song that favors an atmosphere of rhythms sheltered by the texture of the celluloid.  \nFree Community Event. \nAbout the film series: Instituto Cervantes presents Arrebato en celuloide. Flashes of light and other divergences in Spanish cinema\, a new film program that shows a selection of works by authors who use the super-8 analog format for their creations. This series is based on the Spanish film program Mostra Internacional de Cinema Periférico de A Coruña. The director of the Galician festival\, Ángel Rueda\, has selected eight short films that speak to the cinematographic experience founded as an aesthetic precedent by Iván Zulueta.
URL:https://nhccnm.org/event/instituto-cervantes-film-series-toxos-e-flores-2016/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2023/11/arrebato_en_celuloide_instituto_cervantes_2023_1080_es.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231124
DTEND;VALUE=DATE:20231125
DTSTAMP:20260403T142527
CREATED:20231114T204226Z
LAST-MODIFIED:20231114T204226Z
UID:19626-1700784000-1700870399@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Devociones (2023)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nFilmmakers Ángel Montero and María Serna explore healing rituals\, baths\, caresses\, and care. Devociones is story of love and illness that explores the acceptance of loss and the real possibility of death. A sensory journey through the mirror in search of healing landscapes to celebrate life.  \nFree Community Event. \n \nAbout the film series: Instituto Cervantes presents Arrebato en celuloide. Flashes of light and other divergences in Spanish cinema\, a new film program that shows a selection of works by authors who use the super-8 analog format for their creations. This series is based on the Spanish film program Mostra Internacional de Cinema Periférico de A Coruña. The director of the Galician festival\, Ángel Rueda\, has selected eight short films that speak to the cinematographic experience founded as an aesthetic precedent by Iván Zulueta.
URL:https://nhccnm.org/event/instituto-cervantes-film-series-devociones-2023/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2023/11/arrebato_en_celuloide_instituto_cervantes_2023_1080_es.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231128
DTEND;VALUE=DATE:20231129
DTSTAMP:20260403T142527
CREATED:20231114T205012Z
LAST-MODIFIED:20231114T205012Z
UID:19628-1701129600-1701215999@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Ningún río me protexe de min (2021)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nNingún río me protexe de min takes as its starting point the mysterious theft of a material from the Central African Republic\, inside the forest of the Congo Basin. This acts as a response to the conflicts arising from the fragile and trans-subjective encounter with the not-self: an encounter that can only be practiced or experienced\, because if it is virtualized\, it ceases to exist.  \nFree Community Event \n \nAbout the film series: Instituto Cervantes presents Arrebato en celuloide. Flashes of light and other divergences in Spanish cinema\, a new film program that shows a selection of works by authors who use the super-8 analog format for their creations. This series is based on the Spanish film program Mostra Internacional de Cinema Periférico de A Coruña. The director of the Galician festival\, Ángel Rueda\, has selected eight short films that speak to the cinematographic experience founded as an aesthetic precedent by Iván Zulueta. \n 
URL:https://nhccnm.org/event/instituto-cervantes-film-series-ningun-rio-me-protexe-de-min-2021/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2023/11/IM_86987_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231201
DTEND;VALUE=DATE:20231202
DTSTAMP:20260403T142527
CREATED:20231114T205410Z
LAST-MODIFIED:20231114T205410Z
UID:19620-1701388800-1701475199@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: La tarara (2021)
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nLa tarara is a children’s game and also the diary of a summer\, a gift between friends\, a love letter\, a family portrait\, a song\, a wink of reality. Shot during the summer of 2021 in Seville\, the film is not a closed piece\, but a process that continues to date\, like an eternal look\, evoking the personal\, the intimate\, like a song of the soul.  \nFree Community Event. \n \nAbout the film series: Instituto Cervantes presents Arrebato en celuloide. Flashes of light and other divergences in Spanish cinema\, a new film program that shows a selection of works by authors who use the super-8 analog format for their creations. This series is based on the Spanish film program Mostra Internacional de Cinema Periférico de A Coruña. The director of the Galician festival\, Ángel Rueda\, has selected eight short films that speak to the cinematographic experience founded as an aesthetic precedent by Iván Zulueta.
URL:https://nhccnm.org/event/instituto-cervantes-film-series-la-tarara-2021/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2023/11/arrebato_en_celuloide_instituto_cervantes_2023_1080_es.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240202
DTEND;VALUE=DATE:20240203
DTSTAMP:20260403T142527
CREATED:20240131T215439Z
LAST-MODIFIED:20240131T215439Z
UID:19921-1706832000-1706918399@nhccnm.org
SUMMARY:Instituto Cervantes Albuquerque: Film Series: Orgullo
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nJuan Mariné. Goya de Honor: For the fourth consecutive year\, the Cervantes Institute celebrates the Goya Honorary Award granted by the Academy of Motion Picture Arts and Sciences of Spain this year 2024 to cinematographer and film inventor Juan Mariné \nManuel Mur Oti’s Orgullo is the story of Laura when she returns to her village from Paris after ten years of absence. Her mother trusts her to take charge of the cattle ranch from now on. Laura will soon discover the hatred that exists between her family and the Alzaga family\, whose land is separated by a river. Laura will not know the legacy as her own\, nor will Enrique\, the first-born son of the neighboring family. \nFree Community Event. \nScreening: Orgullo | Director/s: Manuel Mur Oti | Year: 1955 | Format: archivo digital | Running time: largometraje – 105 min | Genre: Fiction | Country: Spain/ España | Original version: español | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Rated SC \nProgram:\nFebruary 2: Orgullo (1955)\, by Manuel Mur-Oti\nFebruary 9: Un millón en la basura (1966)\, by José M. Forqué\nFebruary 16: El astronauta (1970)\, by Javier Aguirre\nFebruary 23: La grieta (1989)\, by Juan Piquer
URL:https://nhccnm.org/event/instituto-cervantes-albuquerque-film-series-orgullo/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/01/IM_87814_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240209
DTEND;VALUE=DATE:20240210
DTSTAMP:20260403T142527
CREATED:20240131T215512Z
LAST-MODIFIED:20240131T215512Z
UID:19925-1707436800-1707523199@nhccnm.org
SUMMARY:Instituto Cervantes Albuquerque: Film Series: Un millón en la basura
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nJuan Mariné. Goya de Honor: For the fourth consecutive year\, the Cervantes Institute celebrates the Goya Honorary Award granted by the Academy of Motion Picture Arts and Sciences of Spain this year 2024 to cinematographer and film inventor Juan Mariné \nJosé María Forqué’ Un millón en la basura is about Pepe Martínez works in the night cleaning service of Madrid watering the streets. His family is about to be evicted from their apartment\, as they have not paid the rent for more than a year. The situation of grief worsens with the Christmas season. But\, one night\, Pepe finds a wallet in a garbage can full of bills. It seems that his luck has changed. \nFree Community Event. \nScreening: Un millón en la basura | Director/s: José María Forqué | Year: 1966 | Format: archivo digital | Running time: largometraje – 89 min | Genre: Fiction | Country: Spain/España | Original version: español | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Calificacion: TP \nProgram:\nFebruary 2: Orgullo (1955)\, by Manuel Mur-Oti\nFebruary 9: Un millón en la basura (1966)\, by José M. Forqué\nFebruary 16: El astronauta (1970)\, by Javier Aguirre\nFebruary 23: La grieta (1989)\, by Juan Piquer
URL:https://nhccnm.org/event/instituto-cervantes-albuquerque-film-series-un-millon-en-la-basura/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/01/IM_87831_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240216
DTEND;VALUE=DATE:20240217
DTSTAMP:20260403T142527
CREATED:20240131T215536Z
LAST-MODIFIED:20240131T215536Z
UID:19928-1708041600-1708127999@nhccnm.org
SUMMARY:Instituto Cervantes Albuquerque: Film Series: El astronauta
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nJuan Mariné. Goya de Honor: For the fourth consecutive year\, the Cervantes Institute celebrates the Goya Honorary Award granted by the Academy of Motion Picture Arts and Sciences of Spain this year 2024 to cinematographer and film inventor Juan Mariné \nJavier Aguirre El astronauta takes place in a village in southern Spain\, a group of friends awaits the arrival of man on the moon\, broadcast by the bar’s television set. One of the parishioners warns his friends that such a feat is nothing exceptional. Convinced that they can start the Spanish space race\, they set out to set up a base on nearby land and build the first space prototype. \nFree Community Event. \nScreening: El astronauta | Director/s: Javier Aguirre | Year: 1970 | Format: archivo digital | Running time: largometraje – 84 min | Genre: fiction | Country: Spain/España | Original version: español | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Calificacion: SC \nProgram:\nFebruary 2: Orgullo (1955)\, by Manuel Mur-Oti\nFebruary 9: Un millón en la basura (1966)\, by José M. Forqué\nFebruary 16: El astronauta (1970)\, by Javier Aguirre\nFebruary 23: La grieta (1989)\, by Juan Piquer
URL:https://nhccnm.org/event/instituto-cervantes-albuquerque-film-series-el-astronauta/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/01/IM_87819_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240223
DTEND;VALUE=DATE:20240224
DTSTAMP:20260403T142527
CREATED:20240131T215456Z
LAST-MODIFIED:20240131T215456Z
UID:19935-1708646400-1708732799@nhccnm.org
SUMMARY:Instituto Cervantes Albuquerque Film Series: La grieta
DESCRIPTION:12:00 pm MST (available for 48 hours)\nInstituto Cervantes Vimeo Channel Here \nJuan Mariné. Goya de Honor: For the fourth consecutive year\, the Cervantes Institute celebrates the Goya Honorary Award granted by the Academy of Motion Picture Arts and Sciences of Spain this year 2024 to cinematographer and film inventor Juan Mariné \nA NATO mission dives to a crevice 15\,000 meters deep where an experiment seems to have caused strange mutations in the creatures that inhabit it and where a submarine has been lost\, which the latter seeks to rescue. The Dannekin rift will bring more than surprises to this group\, which ignores the true nature of their expedition. \nFree Community Event. \nScreening: La grieta | Director/s: Juan Piquer | Year: 1989 | Format: archivo digital | Running time: largometraje – 80 min | Genre: Fiction | Country: España y Estados Unidos | Original version: español (doblado) | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Calificacion: TP \nProgram:\nFebruary 2: Orgullo (1955)\, by Manuel Mur-Oti\nFebruary 9: Un millón en la basura (1966)\, by José M. Forqué\nFebruary 16: El astronauta (1970)\, by Javier Aguirre\nFebruary 23: La grieta (1989)\, by Juan Piquer
URL:https://nhccnm.org/event/instituto-cervantes-albuquerque-film-series-la-grieta/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/01/IM_87824_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240405
DTEND;VALUE=DATE:20240406
DTSTAMP:20260403T142527
CREATED:20240329T193952Z
LAST-MODIFIED:20240329T193952Z
UID:20439-1712275200-1712361599@nhccnm.org
SUMMARY:Cervantes Film Series: Relatos de la Resistencia: La Chana
DESCRIPTION:12:00 pm MST (available for 96 hours)\nInstituto Cervantes Vimeo Channel Here \nRelatos de la Resistencia: Buscando un lugar en el mundo \nLa Chana reveals the story of a mythical dancer who rose to stardom and then plunged into anonymity. The profound gaze of director Lucija Stojevic – who has recently returned to portraiture with her documentary Pepi Fandango (2023) – follows her protagonist to understand how the artistic vocation of a woman like her could survive and be recreated throughout her life. \nSynopsis: A self-taught dancer\, Antonia Santiago Amador\, known as la Chana\, lives a quiet life in Catalonia. Between 1960 and 1980\, she was one of the biggest stars of the flamenco world\, astonishing with her innovative\, fast-paced style and inventive use of rhythm. Peter Sellers\, with whom she appeared in The Bobo (1967)\, invited her to Hollywood. And suddenly\, at the peak of her career\, she disappeared from the scene. Decades of dancing have worn out her body. Sensual\, vulnerable\, yet seemingly invincible\, she transports us to the essence of her passion as she returns to the stage after a twenty-five-year hiatus. \nDirector/s: Lucija Stojevic | Year: 2017 | Format: Digital | Running time: Largometraje – 82 min | Genre: Documental | Country: España | Original version: español | Subtitles: inglés\, francés | portugués (de Brasil)\, italiano\, español | Rated: SC \n \nRelators de la Resistencia: Buscando un lugar en el mundo\, the strength of documentary filmmaking in Spain is a phenomenon with three decades of history. The work of the monographic festivals has been crucial to maintain its strength and validity among the public interested in the new expressive forms of cinema\, but also among those who seek in the documentary to know the perspective and experiences of others\, often very distant spatially\, temporally\, and culturally. \nIn collaboration with the DocsBarcelona festival\, this online film series that stars the month of April on our Vimeo channel brings together four documentaries that allow us to meet people whose lives are marked by adventure\, and not always in its most positive interpretation. In addition\, the direction of these works tells us about the place from where we elaborate the stories of loss\, but also those of survival and overcoming. \nPROGRAM\nApril 4: La Chana (2017)\, by Lucija Stojevic\nApril 11: Los Bilbao (2022)\, by Pedro Speroni\nApril 18: Light Falls Vertical (2022)\, by Efthymia Zymvragaki\nApril 25: Querida Sara (2021)\, by Patricia Franquesa
URL:https://nhccnm.org/event/cervantes-film-series-relatos-de-la-resistencia-la-chana/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/03/IM_89290_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240412
DTEND;VALUE=DATE:20240413
DTSTAMP:20260403T142527
CREATED:20240329T194315Z
LAST-MODIFIED:20240329T194315Z
UID:20444-1712880000-1712966399@nhccnm.org
SUMMARY:Cervantes Film Series: Relatos de la Resistencia: Los Bilbao
DESCRIPTION:12:00 pm MST (available for 96 hours)\nInstituto Cervantes Vimeo Channel Here: \nRelatos de la Resistencia: Buscando un lugar en el mundo \nThe young director Pedro Speroni debuted in feature-length documentaries with Rancho (2021)\, where he already demonstrated his sensitivity in approaching the very delicate reality of people who are incarcerated. The personal relationship he established with Iván\, a prison inmate\, in that first film allowed the filmmaker to accompany him on his life journey after leaving prison and reuniting with his family and his life. Currently\, director Pedro Speroni is working on Talía\, a woman he has also accompanied in his life inside and outside the penitentiary\, with which he will finish his trilogy on the world of the prison. \nSynopsis: Iván Bilbao returns home\, to the city of Chascomús (Argentina)\, after having spent five years in prison. His wife\, Yamila\, and his little daughter\, Luz\, are waiting for him. Pedro Speroni’s camera infiltrates this family trying to return to normality\, almost as if it were an invisible character\, and shows that the return is anything but easy. \nScreening: Los Bilbao | Director/s: Pedro Speroni | Year: 2022 | Format: Digital | Running time: Largometraje – 74 min | Genre: Documental | Country: Argentina | Original version: español | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Rated: SC \n \nRelatos de la Resistencia: Buscando un lugar en el mundo\, the strength of documentary filmmaking in Spain is a phenomenon with three decades of history. The work of the monographic festivals has been crucial to maintain its strength and validity among the public interested in the new expressive forms of cinema\, but also among those who seek in the documentary to know the perspective and experiences of others\, often very distant spatially\, temporally\, and culturally. \nIn collaboration with the DocsBarcelona festival\, this online film series that stars the month of April on our Vimeo channel brings together four documentaries that allow us to meet people whose lives are marked by adventure\, and not always in its most positive interpretation. In addition\, the direction of these works tells us about the place from where we elaborate the stories of loss\, but also those of survival and overcoming. \nPROGRAM\nApril 5: La Chana (2017)\, by Lucija Stojevic\nApril 12: Los Bilbao (2022)\, by Pedro Speroni\nApril 19: Light Falls Vertical (2022)\, by Efthymia Zymvragaki\nApril 26: Querida Sara (2021)\, by Patricia Franquesa
URL:https://nhccnm.org/event/cervantes-film-series-relatos-de-la-resistencia-los-bilbao/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/03/IM_89291_Web-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240419
DTEND;VALUE=DATE:20240420
DTSTAMP:20260403T142527
CREATED:20240329T194639Z
LAST-MODIFIED:20240329T194639Z
UID:20447-1713484800-1713571199@nhccnm.org
SUMMARY:Cervantes Film Series: Relatos de la Resistencia: Light Falls Vertical
DESCRIPTION:12:00 pm MST (available for 96 hours)\nInstituto Cervantes Vimeo Channel Here: \nRelatos de la Resistencia: Buscando un lugar en el mundo \nEfthymia Zymvragaki receives a proposal from a man who confesses to abuse in order to investigate the vision of the perpetrator of violence. With the courage to tell a story in the first person\, the debut feature of this Greek director addresses the issue of violence that weighs so heavily in today’s society with the intention of approaching it in a complex and intimate way. \nSynopsis: A man named Ernesto\, a resident of the Canary Islands\, contacts filmmaker Efthymia Zymvragaki to propose making a film about his life. He explains to her that in gender violence there are always two sides: the victim and the aggressor. He confesses to being the aggressor. The Greek director then embarks on a journey\, real and cinematic\, in which she discovers the hidden corners\, the lights and shadows of a character trapped in the cycle of violence\, and in the process realizes that Ernesto is\, in reality\, half criminal and half victim\, and that his story pushes her to confront her own family history\, which she left in her native country two decades ago. \nScreening: Light Falls Vertical | Director/s: Efthymia Zymvragaki | Year: 2022 | Format: Digital | Running time: Largometraje – 85 min | Genre: Documental | Country: España\, Alemania\, Italia y Países Bajos | Original version: español | Subtitles: inglés\, francés\, portugués (de Brasil)\, italiano\, español | Rated: +12 \n \nRelatos de la Resistencia: Buscando un lugar en el mundo\, the strength of documentary filmmaking in Spain is a phenomenon with three decades of history. The work of the monographic festivals has been crucial to maintain its strength and validity among the public interested in the new expressive forms of cinema\, but also among those who seek in the documentary to know the perspective and experiences of others\, often very distant spatially\, temporally\, and culturally. \nIn collaboration with the DocsBarcelona festival\, this online film series that stars the month of April on our Vimeo channel brings together four documentaries that allow us to meet people whose lives are marked by adventure\, and not always in its most positive interpretation. In addition\, the direction of these works tells us about the place from where we elaborate the stories of loss\, but also those of survival and overcoming. \nPROGRAM\nApril 5: La Chana (2017)\, by Lucija Stojevic\nApril 12: Los Bilbao (2022)\, by Pedro Speroni\nApril 19: Light Falls Vertical (2022)\, by Efthymia Zymvragaki\nApril 26: Querida Sara (2021)\, by Patricia Franquesa
URL:https://nhccnm.org/event/cervantes-film-series-relatos-de-la-resistencia-light-falls-vertical/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/03/IM_89294_Web-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240426
DTEND;VALUE=DATE:20240427
DTSTAMP:20260403T142527
CREATED:20240329T194934Z
LAST-MODIFIED:20240329T194934Z
UID:20451-1714089600-1714175999@nhccnm.org
SUMMARY:Cervantes Film Series: Relatos de la Resistencia: Querida Sara
DESCRIPTION:12:00 pm MST (available for 96 hours)\nInstituto Cervantes Vimeo Channel Here: \nRelatos de la Resistencia: Buscando un lugar en el mundo \nThe relationship between Patricia Franquesa\, the director of this documentary\, and Sara\, the first cab driver in Afghanistan\, is proposed to us as a story of friendship whose thread is united by the gaze in front of the camera\, where we stand as spectators\, but to which the protagonist of the documentary constantly speaks. \nAll the material filmed in front of this strong and confident woman\, who is aware of being filmed and in the story\, is offered to us as a tribute that acquires greater impact when we learn about the political and social evolution that took place and continues to take place in Afghanistan. \nSynopsis: This is a moving portrait of Sara\, the first woman cab driver in Afghanistan. Spanish filmmaker Patricia Franquesa captures the strength of a powerful woman who breaks through the barriers of a society marked by patriarchy. Sara has bright eyes\, tireless in defending women’s rights and fighting to achieve what seemed impossible. It is an inspiring story of friendship between two women full of life\, a hymn to empathy and dialogue between cultures: the circular tale of Sara’s life story turns from fear to love and from love to fear: a testimony of a reality that no longer exist. \nScreening: Querida Sara | Director/s: Patricia Franquesa | Year: 2021 | Format: Digital | Running time: Largometraje – 60 min | Genre: Documental | Country: España\, Serbia y Noruega | Original version: farsi\, uzbeko e inglés | Subtitles: inglés\, francés\, portugués\, italiano\, español | Rated: SC \n \nRelatos de la Resistencia: Buscando un lugar en el mundo\, the strength of documentary filmmaking in Spain is a phenomenon with three decades of history. The work of the monographic festivals has been crucial to maintain its strength and validity among the public interested in the new expressive forms of cinema\, but also among those who seek in the documentary to know the perspective and experiences of others\, often very distant spatially\, temporally\, and culturally. \nIn collaboration with the DocsBarcelona festival\, this online film series that stars the month of April on our Vimeo channel brings together four documentaries that allow us to meet people whose lives are marked by adventure\, and not always in its most positive interpretation. In addition\, the direction of these works tells us about the place from where we elaborate the stories of loss\, but also those of survival and overcoming. \nPROGRAM\nApril 5: La Chana (2017)\, by Lucija Stojevic\nApril 12: Los Bilbao (2022)\, by Pedro Speroni\nApril 19: Light Falls Vertical (2022)\, by Efthymia Zymvragaki\nApril 26: Querida Sara (2021)\, by Patricia Franquesa
URL:https://nhccnm.org/event/cervantes-film-series-relatos-de-la-resistencia-querida-sara/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/03/IM_89326_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240606
DTEND;VALUE=DATE:20240628
DTSTAMP:20260403T142527
CREATED:20240604T223138Z
LAST-MODIFIED:20240604T223138Z
UID:20882-1717632000-1719532799@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: FanCineQueer. Infancias (June 2024)
DESCRIPTION:The FanCineQueer. Infancias films in this series will be available on the Cervantes Institute’s Vimeo channel\, link below\, for 96 hours\, starting at 2:00 am.\nCervantes Institute’s Vimeo HERE \nThe Cervantes Institute joins the celebration of LGTBIQ+ culture by presenting a program of short films co-organized with the Extremadura festival FanCineQueer. \nFanCineQueer. Infancias Screening:\nCocodrilo– Thursday\, June 6\, 2024\nElsa – Monday\, June 10\, 2024\nEl rey de las flores – Thursday\, June 13\n17 minutos con Nora – Monday\, June 17:\nCristiano – Thursday\, June 20\nLa acampada – Monday\, June 24\nEl Dance Off – Thursday\, June 27 \nThis online film series focuses on different stories that bring us closer to the everyday lives of children and young people of different status and backgrounds\, who face life from a starting position dominated by questioning and difficulties in their definition of gender. \nThe different formats and genres presented in this program also speak of the narrative and aesthetic richness of this monographic thematic cinema that allows its authors to address the social vulnerability and the hard search for identity that is always present during this period in the life of every person\, and especially in those who defy normativity. \n \n \nCocodrilo \nJorge Yúdice’s career as a director took a surprising leap forward with Cocodrilo\, which was selected for the Berlinale and received an excellent reception at multiple festivals and screenings. The subtlety with which a past story is told and the way in which his characters communicate shows the drive of a great screenwriter whose first feature film is already awaited. \nAlicia\, like every afternoon\, makes herself a cup of tea and watches her favorite YouTube channel: VictorGaming\, dedicated to action role-playing video games. Victor\, the youtuber\, broadcasts today a live stream where fans can ask him questions. Alicia has something very important to tell him. \nScreening: Cocodrilo; Director/s: Jorge Yúdice; Year: 2019; Format: Digital; Running time: 5 min; Genre: Fiction; Country: Spain; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: TP \n***** \n \nElsa \nDisney’s imaginary serves the director and actor Albert Carbó to talk about transgender children through his own production company\, which he created to work on social issues that help to mediate and make their realities visible in a complex way. \nElsa is a six-year-old girl who\, like anyone her age\, wants to live happily and freely. She knows she is different from the majority\, but despite her young age she is clear about things: she knows she is a girl and that she is the queen of her life. \nScreening: Elsa; Director: Albert Carbó; Year: 2021; Format: Digital; Running time: 12 min; Genre: Fiction; Country: Spain; Original version: catalán; Subtitles: English\, French. Portuges\, Italian; Rated: TP \n***** \n \nEl rey de las flores \nThe first short film by actor and director Alberto Velasco offers a double look at tradition\, which is posed as a place that can welcome everyone or reject them decisively. The story of Victor\, the center of the narrative\, grows as does his inner rage and\, in doing so\, the director starts from an imaginary of joy and nature to arrive at a somber place of closure. \nVictor\, ten years old\, loves popular folklore. He already knows what it means that what you like most in the world\, which in his case is dancing\, is what hurts you the most. His mother works tirelessly and also takes care of his bedridden stepfather day and night\, but with a lively\, sharp and hurtful tongue every time Victor comes through the door. When Victor dances\, he transforms\, laughs\, dreams and escapes from the reality at home. What he could never imagine is that the same violence he received would be his own salvation. \nScreening: El rey de las flores; Director: Alberto Velasco; Year: 2021; Format: Digital; Running time: 13 min; Genre: Fiction; Country: Spain; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: +16 \n***** \n \n17 minutos con Nora \nThe name Nora is indisputably linked to Henrik Ibsen’s play A Doll’s House\, where the whole inner world of women subjected to an external and oppressive law is revealed. Taking this reference as a clear evocation and with Lucas Hnath’s re-reading\, this short film by director Imanol Ruiz de Lara leads to a long-delayed conversation between a father and a son\, in which all the humanity that is always behind the sudden understanding of the other is condensed. \nNora is nervous because the next day she is performing in a play at her high school\, but the insults of her classmates at the door of her house cause her to face something more important to her: that her father accepts her as she is. In seventeen minutes the relationship between the two will change forever. \nScreening: 17 minutos con Nora; Director: Imanol Ruiz de Lara; Year: 2021; Format: Digital; Running time: 18 min; Genre: Fiction; Country: Spain; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: +12 \n***** \n \nCristiano \nComedy is a genre that always surprises us because it highlights characteristics of reality that we would not always call laughable. In this interpretative duel between Nacho Guerreros and Iván Vigara\, the terrain is even more slippery as it is a debate that moves from the theological to the personal. \nCristiano is a devout young man who wants to be trained in the seminary to become a Catholic priest\, with the surprise that the interviewer responsible for vocations is the former priest of his village\, Avelino\, an unconventional priest who defines himself as a “modern man”. Just before Avelino approves his enrollment in the seminary\, Cristiano confesses his most intimate secret\, a secret that will determine whether or not he will be able to become a priest. \nScreening: Cristiano; Director/s: Adán Pichardo; Year: 2021; Format: Digital; Running time: 11 min; Genre: Fiction; Country: Spain; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: +12 \n****** \n \nLa acampada \nThe social emergence of issues related to mental health shows how these types of conditions\, which have always been erased from the public agenda\, have come to light to demystify their nature and make their problematic nature evident. This short film – supported by Indetectables\, the project of the NGO Apoyo Positivo\, which focuses on sexual health and the fight against discrimination of the LGTBIQ+ collective – shows us\, through the eyes of a minor who has to take care of his mother\, how this is a problem that plagues many adolescents. \nTwo days in the life of a trans adolescent boy and his sick mother. It is an intimate portrait of a single-parent family\, mental illness and caregiving. \nScreening: La acampada; Director/s: Afioco Gnecco y Enrique Cervantes; Year: 2022; Format: Digital; Running time: 22 min; Genre: Fiction; Country: Spain; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: SC \n***** \n \nEl Dance Off \nFilmed in Chacomús (Argentina)\, this short film is offered as a love letter to Latin American queer culture and magical realism\, which is so closely linked to the idiosyncrasies of this territory. The way in which the characters suffer the patriarchal tradition\, so tinged with intransigence and dogmatism\, is transgressed in this story that breaks with the expectations of its own generic code. \nAt a silent gas station on the outskirts of a rural town\, young Ernesto dreams of becoming a dancer. It is not until his magical dance-off with a desolate drag queen that the boy discovers the courage to make his dreams a reality. \nScreening: El Dance Off; Director: Nicolás Keller Sarmiento; Year: 2023; Format: Digital; Running time: 13 min; Genre: Fiction; Country: Argentina; Original version: español; Subtitles: English\, French. Portuges\, Italian; Rated: SC
URL:https://nhccnm.org/event/instituto-cervantes-film-series-fancinequeer-infancias-june-2024/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,School and Youth Programs,Seasonal Events
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2024/05/fancinequeer_infancias_instituto_cervantes_2024_1920_es.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240912
DTEND;VALUE=DATE:20240913
DTSTAMP:20260403T142527
CREATED:20240817T203933Z
LAST-MODIFIED:20240820T214736Z
UID:21286-1726099200-1726185599@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Con ton y son
DESCRIPTION:2:00 am (MST) \nIn this online film series\, which will play throughout the month of September on the Instituto Cervantes Vimeo channel\, we bring together\, in collaboration with the Punto y Raya platform\, four sessions with experimental pieces that allow us to explore the possibilities of the audio-visual image and abstraction as a form of creation: a freer creation\, where form\, color\, movement and sound compose evocative messages. \nThe short films will be available on the Cervantes Institute’s Vimeo channel for one week\, starting at 2:00 am on September 12. Cervantes Vimeo Link Here. \nAbstracción en movimiento: Punto y Raya at the Instituto Cervantes \nIn October 2022\, the Cervantes Institute in Prague hosted the abstract animation workshop «Muchos metros de película» (Many meters of film)\, in which a group of schoolchildren\, led by artists Laura Ginès and Pepon Meneses\, made a collective film emulating the camera-less animation technique popularized in the mid-1950s by artists such as Norman Mclaren\, Len Lye\, and Stan Brakhage. \nThis technique would have required 35 mm celluloid strips\, which – once manipulated – would have had to be mounted and projected in situ. Due to the cost of celluloid and the technical complexity of its projection\, the artists opted to simulate the procedure using paper strips\, to give priority to the longitudinal treatment of the drawing with respect to the strip rather than to the frame-by-frame treatment. Thus\, using cash register paper rolls as 35 mm celluloid\, they worked on paper strips with markers\, rollers and pads as photograms\, and then photographed the pictures\, edited and projected\, to create an abstract and gestural collective film in which they play with the concept of dots and stripes in movement: expansion and transformation. \n \n \nScreening: Con ton y son; Director/s: Pepon Meneses y Laura Ginès; Year: 2022; Format: Digital; Running time: Cortometraje – 1 min; Genre: Anamation/Animación; Country: República Checa; Rating/Calificacion: SC \nIn this online film series\, which will play throughout the month of September on the Instituto Cervantes Vimeo channel\, we bring together\, in collaboration with the Punto y Raya platform\, four sessions with experimental pieces that allow us to explore the possibilities of the audio-visual image and abstraction as a form of creation: a freer creation\, where form\, color\, movement and sound compose evocative messages. \n“Abstracción en movimiento” presents the pieces produced by those attending the Punto y Raya workshops held at the Instituto Cervantes centers in Prague\, Tunis\, Utrecht and Warsaw\, since 2021. \nYoung students between the ages of 12 and 16\, guided by artists and expert facilitators and directed by Noel Palazzo and Ana Santos -directors of the Punto y Raya Festival- offer us for this cycle evocative films with great communicative force\, created from simple forms and updated animation and illusionism techniques adapted to the new possibilities offered by the digital world. \n“Abstracción en movimiento” Program:\n• September 5: Live Visual Music (2021)\, coordinated by Aurora Gasull\n• September 12: Con ton y son (2022)\, coordinated by Pepon Meneses and Laura Ginès\n• September 19: Generations and The Country of the Future (2023)\, coordinated by Ana Santos and Nöel Palazzo\n• September 26: Abstract phantasmagorias (2023)\, coordinated by Ana Santos and Nöel Palazzo. \nAll titles will be available on the Instituto Cervantes Vimeo channel for one week\, from 2:00 am on the Thursday indicated until 2:00 am the following Thursday.
URL:https://nhccnm.org/event/instituto-cervantes-film-series-con-ton-y-son/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/08/Cervantes-September-2024-Film-Logo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240919
DTEND;VALUE=DATE:20240920
DTSTAMP:20260403T142527
CREATED:20240817T203831Z
LAST-MODIFIED:20240820T213836Z
UID:21288-1726704000-1726790399@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Generaciones and El país del futuro
DESCRIPTION:2:00 am (MST) \nIn this online film series\, which plays throughout the month of September on the Instituto Cervantes Vimeo channel\, we bring together\, in collaboration with the Punto y Raya platform\, four sessions with experimental pieces that allow us to explore the possibilities of the audio-visual image and abstraction as a form of creation: a freer creation\, where form\, color\, movement and sound compose evocative messages. \nThe short films will be available on the Cervantes Institute’s Vimeo channel for one week\, starting at 2:00 am on September 19. \nLink Generaciones: https://vimeo.com/video/963031836 \nLink El País del futuro: https://vimeo.com/video/963034780 \nThe Tunisian cities of Tunis and Sousse were the setting for two workshops coordinated by the Instituto Cervantes of Tunis under the title “Counterline and Counterpoint” held in November 2023. \nAbstracción en movimiento: Punto y Raya at the Instituto Cervantes \nStudents from the Lycée Pierre Mendès France in Tunis and the Mhamed Driss Lycée Français International in Sousse were guided by the founders of the international platform Punto y Raya\, dedicated to the production\, promotion and education of audiovisual arts in its purest form\, Ana Santos and Nöel Palazzo\, to create two abstract audiovisual works inspired by the classical mosaics housed in some museums in Tunisia. The final work is a similar dialogue between organic and geometric forms\, creating its own moving designs and fluctuating freely between one style and another to tell a story of harmony and counterpoint. \n \nInspired by the ancient mosaics that can be found in the Bardo National Museum or the Archaeological Museum of El Djem in Tunis; mixing themes of Greek mythology\, country scenes\, hunting or landscapes\, from the third century BC to the fifth century AD\, with games of shapes\, rhythms and compositions more geometric and closer to the Islamic tradition\, Generaciones and El país del futuro propose precious narratives where nature is always present despite the high degree of abstraction in the image. \nScreening: Generaciones y El país del futuro; Director/s: Punto y Raya (Nöel Palazzo y Ana Santos); Year: 2023; Format: Digital; Running time: Cortometraje – 1 min; Genre: Anamation/Animación; Country: Túnez; Rating/Calificacion: SC \n“Abstracción en movimiento” presents the pieces produced by those attending the Punto y Raya workshops held at the Instituto Cervantes centers in Prague\, Tunis\, Utrecht and Warsaw\, since 2021. \nYoung students between the ages of 12 and 16\, guided by artists and expert facilitators and directed by Noel Palazzo and Ana Santos – directors of the Punto y Raya Festival – offer us for this cycle evocative films with great communicative force\, created from simple forms and updated animation and illusionism techniques adapted to the new possibilities offered by the digital world. \nindicated until 2:00 am the following Thursday. \n“Abstracción en movimiento” Program:\n• September 5: Live Visual Music (2021)\, coordinated by Aurora Gasull\n• September 12: Con ton y son (2022)\, coordinated by Pepon Meneses and Laura Ginès\n• September 19: Generations and The Country of the Future (2023)\, coordinated by Ana Santos and Nöel Palazzo\n• September 26: Abstract phantasmagorias (2023)\, coordinated by Ana Santos and Nöel Palazzo. \nAll titles will be available on the Instituto Cervantes Vimeo channel for one week\, from 2:00 am on the Thursday indicated until 2:00 am the following Thursday.
URL:https://nhccnm.org/event/instituto-cervantes-film-series-generaciones-and-el-pais-del-futuro/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2024/08/Cervantes-September-2024-Film-Logo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240927
DTEND;VALUE=DATE:20240929
DTSTAMP:20260403T142527
CREATED:20240906T185109Z
LAST-MODIFIED:20240906T185109Z
UID:21411-1727395200-1727567999@nhccnm.org
SUMMARY:Instituto Cervantes: ¡Cine Magnífico! Latino Film Festival
DESCRIPTION:3:00 pm to 8:00 pm Friday\n11:00 am to 8:00 pm Saturday \nSouth Broadway Cultural Center (1025 Broadway Blvd SE) \nInstituto Cervantes Albuquerque is launching the twelfth edition of Cine Magnífico\, Latino Film Festival of Albuquerque. This event has focused on the dissemination of culture and audio-visual creation in Spanish in its 11 previous editions\, and has given visibility during these years in New Mexico to numerous films and short films made in Spain and various Spanish-speaking countries. \nThe 2024 edition of the festival will have as its main venue the South Broadway Cultural Center in Albuquerque and will be complemented by screenings in Santa Fe (NM) and El Paso (Texas). It will include a program of six feature films from countries such as Spain\, Chile\, Costa Rica and the United States. Cine Magnifico will also feature talks\, meetings with filmmakers and will also focus on young filmmakers from New Mexico. \nTickets are free. Reservations are required.
URL:https://nhccnm.org/event/instituto-cervantes-cine-magnifico-latino-film-festival/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2024/09/Cine-Magnifico-2024-logo-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241006
DTEND;VALUE=DATE:20241007
DTSTAMP:20260403T142527
CREATED:20240923T174318Z
LAST-MODIFIED:20240923T174318Z
UID:21473-1728172800-1728259199@nhccnm.org
SUMMARY:Instituto Cervantes Film Series: Día del Cine Español: 7 mesas (de billar francés)
DESCRIPTION:The film will be available on the Cervantes Institute’s Vimeo channel for 48 hours\, starting at 12:00 pm (MTS) on October 5. Instituto Cervantes. Canal Vimeo HERE. \nThe fourth edition of Spanish Film Day\, to be held on October 6\, is presented as the consolidation of an event that aims to raise awareness of the importance of Spanish film heritage as an essential part of contemporary culture. \nFor the first time\, the film selected to commemorate this day is directed by a woman. It is 7 mesas (de billar francés)\, the fifth feature film by Gracia Querejeta\, a filmmaker who belongs to a family that is an essential reference in Spanish cinema. \n \nThis family melodrama showcases all the ingredients of the concern for human relationships that Spanish cinema has maintained throughout its history. With a great cast headed by actresses Maribel Verdú and Blanca Portillo\, the film’s story of solidarity and self-improvement shows a way of life that underlines women’s ability to reinvent themselves in times of crisis. \nThe neighborhood setting makes the billiard tables that title this cinematographic work become an image that symbolizes a world resistant to the onslaught of the fluid life we seem to live today. The struggle to rescue and revive these spaces of coexistence results in a wonderful hymn to the preponderance of public space and its inestimable value for citizenship. \nThe film had a remarkable national and international tour: in addition to its presence in various festivals\, the actresses Maribel Verdú and Amparo Baró were awarded the goya awards for best female main cast performance\, respectively. 7 mesas (de billar francés)\, produced and premiered in the 21st century\, forces us to think that heritage continues to be created at all times in the cinematographic sphere\, where production continues to be a significant reference in the lives of spectators. \nDirector/s: Gracia Querejeta | Year: 2007 | Format: Digital | Running time: Largometraje – 112 min | Genre: Ficción/Fiction | Country: España/Spain | Original version: español/Spanish | Subtitles: inglés/English | Rated/Calificacion: TP/All audiences \n 
URL:https://nhccnm.org/event/instituto-cervantes-film-series-dia-del-cine-espanol-7-mesas-de-billar-frances/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2024/09/dia_del_cine_espanol_instituto_cervantes_2024_1080_es.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250206
DTEND;VALUE=DATE:20250207
DTSTAMP:20260403T142527
CREATED:20250131T220435Z
LAST-MODIFIED:20250131T220435Z
UID:22353-1738800000-1738886399@nhccnm.org
SUMMARY:Cervantes Film Series: Volavérunt
DESCRIPTION:12:00 pm MST (available for 96 hours)\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/aitana-sanchez-gijon-goya-honor \nInstituto Cervantes Film Series Celebrating Aitana Sánchez-Gijón\, winner of the 2025 Honorary Goya Award from the Spanish Film Academy \nThis blockbuster\, Volavérunt\, directed by Bigas Luna with an international cast and crew\, stars Aitana Sánchez-Gijón\, who plays the Duchess of Alba. Doña Cayetana was a key woman in the court of King Carlos IV with a personality based on intrigue\, passion\, and desire. \nThe film’s title evokes an ambiguity that can be traced back to Goya’s Caprichos engraving no. 61\, which shares the title of this film. The film’s grandious photography and costumes bring the lavish world of the late 18th century to life. \nSynopsis: One morning in the summer of 1802\, Cayetana\, the Duchess of Alba\, is found dead. A few hours before\, at the inauguration party at her palace\, many of her admirers and detractors were present: Goya\, Godoy\, Prince Ferdinand\, Pepita Tudó and Pignatelli\, among them. Although it is admitted as official version that the beautiful duchess died of natural causes\, later confessions and revealed secrets invite to think that Cayetana could have been poisoned. [Source: Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) database]. \nScreening: Volavérunt |  Director: Bigas Luna | Year: 1999 | Format: Digital | Running time: Largometraje – 118 min | Genre: Fiction/Ficción | Country: France and Spain | Original version: Spahish/español | Subtitles: English/inglés\, French/francés\, Italian/italiano\, Portuguese/portugués de Brasil y español | Rated PG13/Calificacion: 13+ \n \nThe annual programming on the Cervantes Institute’s Vimeo channel begins with a cycle dedicated to actress Aitana Sánchez-Gijón\, who will receive the Goya Honorary Award 2025 on February 8 in Granada. \nAs expressed by the president of the Film Academy\, Fernando Méndez-Leite\, she is “an actress much loved and respected by her peers and recognized by the public and critics since her beginnings. A complete actress: serious\, responsible\, competent\, approachable and who knows how to give truth\, sincerity and depth to all her work”. \nThe titles in the series have been selected by the artist herself: in addition to Volavérunt\, a film by Bigas Luna for which she was awarded Best Actress at the San Sebastian Festival\, her proposal includes essential films from the end of the 20th century directed by outstanding directors of Spanish cinema\, such as Vicente Aranda\, Bigas Luna\, Jaime Chávarri and Fernando Colomo. \nProgram\n*February 6: Volavérunt (1999)\, by Bigas Luna\n*February 13: Celos (1999)\, by Vicente Aranda\n*February 20: Sus ojos se cerraron y el mundo sigue andando (1996)\, by Jaime Chávarri\n*February 27: Bajarse al moro (1988)\, by Fernando Colomo
URL:https://nhccnm.org/event/cervantes-film-series-volaverunt/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Theatre
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2025/01/Volaverunt-poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250213
DTEND;VALUE=DATE:20250214
DTSTAMP:20260403T142527
CREATED:20250131T221155Z
LAST-MODIFIED:20250131T221155Z
UID:22359-1739404800-1739491199@nhccnm.org
SUMMARY:Cervantes Film Series: Celos
DESCRIPTION:12:00 pm MST (available for 96 hours)\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/aitana-sanchez-gijon-goya-honor \nInstituto Cervantes Film Series Celebrating Aitana Sánchez-Gijón\, winner of the 2025 Honorary Goya Award from the Spanish Film Academy \nAfter many years of trying to make the film Celos\, the great Spanish filmmaker Vicente Aranda delves into the complicated territory of jealousy to narrate an agonizing and fatal story. This production incorporates the director’s obsessions with the limits of love and sexual desire\, between which there is always violence. \nAitana Sánchez-Gijón’s interpretation of the main character displays a range of sophisticated nuances that contribute to the development of a narrative arc full of surprises. \nSynopsis: Antonio and Carmen are happy and about to get married. On the eve of the wedding\, Antonio finds an old photograph of his future wife with another man. From that moment on\, jealousy assaults Antonio and begins to transform his character and behavior. To save their relationship\, Carmen must confront her murky past. \nScreening: Celos |  Director: Vicente Aranda | Year: 1999 | Format: Digital | Running time: Largometraje – 110 min | Genre: Fiction/Ficción | Country: Spain/España | Original version: Spanish/español | Subtitles: English/inglés\, French/francés\, Italian/italiano\, Portuguese/portugués de Brasil y español | Rated R/Calificacion: 18+ \n \nThe annual programming on the Cervantes Institute’s Vimeo channel begins with a series dedicated to actress Aitana Sánchez-Gijón\, who will receive the Goya Honorary Award 2025 on February 8 in Granada. \nAs expressed by the president of the Film Academy\, Fernando Méndez-Leite\, she is “an actress much loved and respected by her peers and recognized by the public and critics since her beginnings. A complete actress: serious\, responsible\, competent\, approachable and who knows how to give truth\, sincerity and depth to all her work”. \nThe titles in the series have been selected by the artist herself: in addition to Volavérunt\, a film by Bigas Luna for which she was awarded Best Actress at the San Sebastian Festival\, her proposal includes essential films from the end of the 20th century directed by outstanding directors of Spanish cinema\, such as Vicente Aranda\, Bigas Luna\, Jaime Chávarri and Fernando Colomo. \nProgram\n*February 6: Volavérunt (1999)\, by Bigas Luna\n*February 13: Celos (1999)\, by Vicente Aranda\n*February 20: Sus ojos se cerraron y el mundo sigue andando (1996)\, by Jaime Chávarri\n*February 27: Bajarse al moro (1988)\, by Fernando Colomo
URL:https://nhccnm.org/event/cervantes-film-series-celos/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Theatre
ATTACH;FMTTYPE=image/png:https://nhccnm.org/wp-content/uploads/2025/01/Celos-poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250220
DTEND;VALUE=DATE:20250221
DTSTAMP:20260403T142527
CREATED:20250131T224221Z
LAST-MODIFIED:20250131T224221Z
UID:22362-1740009600-1740095999@nhccnm.org
SUMMARY:Cervantes Film Series: Sus ojos se cerraron y el mundo sigue andando
DESCRIPTION:12:00 pm MST (available for 96 hours)\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/aitana-sanchez-gijon-goya-honor \nInstituto Cervantes Film Series Celebrating Aitana Sánchez-Gijón\, winner of the 2025 Honorary Goya Award from the Spanish Film Academy \nWith the soul of a late-night tango in this film\, Sus ojos se cerraron y el mundo sigue andando\, the songs and the emotion of the world revolve around the music that dominated leisure in the early 20th century: tango. The film is in conversation with another classic from  director Jaime Chávarri\, best known for his series Las cosas del querer. \nSynopsis: In 1930s Buenos Aires\, a Spanish immigrant meets a tango singer\, considered the best Gardel imitator. Juanita tries to make Renzo look more and more like her idol\, until one day the tango singer is given a delicate mission: to imitate the real Gardel. [Source: Flixolé]. \nScreening: Sus ojos se cerraron y el mundo sigue andando | Director: Jaime Chávarri | Year: 1998 | Format: Digital | Running time: Largometraje – 93 min | Genre: Fiction/Ficción | Country: Spain/Argentina/España y Argentina | Original version: Spain/español | Subtitles: English/inglés\, French/francés\, Italian/italiano\, Portuguese/portugués de Brasil y español |  Rated PG/Calificacion: +7 \n \nThe annual programming on the Cervantes Institute’s Vimeo channel begins with a cycle dedicated to actress Aitana Sánchez-Gijón\, who will receive the Goya Honorary Award 2025 on February 8 in Granada. \nAs expressed by the president of the Film Academy\, Fernando Méndez-Leite\, she is “an actress much loved and respected by her peers and recognized by the public and critics since her beginnings. A complete actress: serious\, responsible\, competent\, approachable and who knows how to give truth\, sincerity and depth to all her work”. \nThe titles in the series have been selected by the artist herself: in addition to Volavérunt\, a film by Bigas Luna for which she was awarded Best Actress at the San Sebastian Festival\, her proposal includes essential films from the end of the 20th century directed by outstanding directors of Spanish cinema\, such as Vicente Aranda\, Bigas Luna\, Jaime Chávarri and Fernando Colomo. \nProgram\n*February 6: Volavérunt (1999)\, by Bigas Luna\n*February 13: Celos (1999)\, by Vicente Aranda\n*February 20: Sus ojos se cerraron y el mundo sigue andando (1996)\, by Jaime Chávarri\n*February 27: Bajarse al moro (1988)\, by Fernando Colomo
URL:https://nhccnm.org/event/cervantes-film-series-sus-ojos-se-cerraron-y-el-mundo-sigue-andando/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2025/01/Sus-ojos-se-cerraron-y-el-mundo-sigue-andando-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250227
DTEND;VALUE=DATE:20250228
DTSTAMP:20260403T142527
CREATED:20250131T225141Z
LAST-MODIFIED:20250131T225159Z
UID:22365-1740614400-1740700799@nhccnm.org
SUMMARY:Cervantes Film Series: Bajarse al moro
DESCRIPTION:12:00 pm MST (available for 96 hours)\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/aitana-sanchez-gijon-goya-honor \nInstituto Cervantes Film Series Celebrating Aitana Sánchez-Gijón\, Honorary Goya \nWhen Fernando Colomo undertook this adaptation of a play by the same name\, Bajarse al moro\, he was already a key director of the cinematic milestone that was called “la comedia madrileña” (The Madrid Comedy) and that featured the auteur cinema of the eighties. \nThis film departs from the festive tone that guided his previous titles to get much closer to his characters and present a world where other variables such as class or the future reveal a less playful environment. Aitana Sánchez-Gijón’s character makes a place for herself among her three co-stars who are already part of the canon of our best performers. \nSynopsis: Chusa shares an apartment with her cousin\, a drug dealer\, and her boyfriend\, a policeman. To help her cousin\, Chusa sometimes smuggles weed from Morocco. Since everyone smokes a little\, there is always a need for more. Chusa then decides to go to Morocco with a friend\, but this time things don’t go as she thought. [Source: Lola Films] \nScreening: Bajarse al moro |  Director/s: Fernando Colomo | Year: 1988 | Format: Digital | Running time: Largometraje – 90 min | Genre: Fiction/Ficción | Country: Spain/España | Original version: Spanish/español | Subtitles: English/inglés\, French/francés\, Italian/italiano\, Portuguese/portugués de Brasil y español | Not Rated/Calificacion: TP \n \nThe annual programming on the Cervantes Institute’s Vimeo channel begins with a cycle dedicated to actress Aitana Sánchez-Gijón\, who will receive the Goya Honorary Award 2025 on February 8 in Granada. \nAs expressed by the president of the Film Academy\, Fernando Méndez-Leite\, she is “an actress much loved and respected by her peers and recognized by the public and critics since her beginnings. A complete actress: serious\, responsible\, competent\, approachable and who knows how to give truth\, sincerity and depth to all her work”. \nThe titles in the series have been selected by the artist herself: in addition to Volavérunt\, a film by Bigas Luna for which she was awarded Best Actress at the San Sebastian Festival\, her proposal includes essential films from the end of the 20th century directed by outstanding directors of Spanish cinema\, such as Vicente Aranda\, Bigas Luna\, Jaime Chávarri and Fernando Colomo. \nProgram\n*February 6: Volavérunt (1999)\, by Bigas Luna\n*February 13: Celos (1999)\, by Vicente Aranda\n*February 20: Sus ojos se cerraron y el mundo sigue andando (1996)\, by Jaime Chávarri\n*February 27: Bajarse al moro (1988)\, by Fernando Colomo
URL:https://nhccnm.org/event/cervantes-film-series-bajarse-al-moro/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2025/01/Bajarse-al-moro-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250403
DTEND;VALUE=DATE:20250404
DTSTAMP:20260403T142527
CREATED:20250326T220226Z
LAST-MODIFIED:20250326T220226Z
UID:22896-1743638400-1743724799@nhccnm.org
SUMMARY:Cervantes Film Series: La mirada tabú. Asómate al interior: Places
DESCRIPTION:12:00 pm MST\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/la-mirada-tabu \n2018 was a landmark year for women directors and screenwriters working in the film industry. An example of this is this magnificent debut by Claudia Barral: a search in experimental format of human memory in the inhabited and loved spaces and the imprint we leave on them. Sensations and memories that we rarely name out loud. \nSynopsis: Places explores the limits of time and its passage. The short film captures the journey to different instants\, always from the same place\, expanding the possibilities of ellipsis and giving rise to an artistic universe that will always use the same coordinates. [Source: Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) database]. \nScreening: Places | Director/s: Claudia Barral | Year: 2020 | Format: Digital | Running time: Cortometraje – 4 min | Genre: Ficción/Fiction | Country: España/Spain | Original version: English\Inglés | Subtitles: English/Inglés\, French/Francés\, Portugues/Portugués de Brasil\, Italian/italiano Spanish/Español | Rated/Calificacion: TP \n \n \nIn April\, the Instituto Cervantes Vimeo channel will be filled with a selection of short films that focus on the concept of taboo from different perspectives\, but always with a thoughtful and considered\, rather than critical\, look to place viewers in the realm of reflection. \nProceeding from the international film festival La Mirada Tabú\, the eight short films in this online film series cover different styles and looks and address different hot topics in 21st-century society using different registers and genres: we will find dramas\, comedies\, parodies\, animations… to learn to face our world from a critical conscience. \nProgram\nApril 3: Places (Spain\, 2020)\, by Claudia Barral\nApril 7: Cuentas divinas (Spain\, 2023)\, by Eulalia Ramón\nApril 10: Pequeño (Spain\, 2024)\, by Alvaro G. Company and Meka Ribera\nApril 14: Work it class! (Spain\, 2021)\, by Pol Diggler\nApril 17: La hija indigna (Argentina\, 2018)\, by Abril Victoria Dores\nApril 21: Happy Friday (Spain\, 2019)\, by José Antonio Campos\nApril 24: 3\, 2 (lo que hacen las novias) (Spain\, 2011)\, by Jota Linares\nApril 28: Democracia (Spain\, 2013)\, by Borja Cobeaga
URL:https://nhccnm.org/event/cervantes-film-series-la-mirada-tabu-asomate-al-interior-places/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2025/03/FIlm-Poster-Places.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250407
DTEND;VALUE=DATE:20250408
DTSTAMP:20260403T142527
CREATED:20250326T220633Z
LAST-MODIFIED:20250326T220633Z
UID:22900-1743984000-1744070399@nhccnm.org
SUMMARY:Cervantes Film Series: La mirada tabú. Asómate al interior: Cuentas divinas
DESCRIPTION:12:00 pm MST\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/la-mirada-tabu \nEulalia Ramón\, a renowned Spanish actress\, presents her first work as a director\, produced by her daughter Anna Saura. This is a very black comedy that places a serial killer at the center of a narrative with social undertones that breaks the fourth wall and invites us to ask ourselves about our own taboos. \nSynopsis: Monica is a normal woman with a normal life in a normal place in any of these modern times. However\, one day\, because of an unimportant detail that could have been solved as any other previous disagreement\, she kills her husband. Thus she discovers crime as a substitute for anxiolytics\, the liberation from all moralism. [Source: Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) database]. \nScreening: Cuentas divinas | Director/s: Eulalia Ramón | Year: 2022 | Format: Digital | Running time: Cortometraje – 14 min | Genre: Ficción Animación/Fisction Animation | Country: Spain/España | Original version: Spanish/Español | Subtitles: English/Inglés\, French/Francés\, Portugies/Portugués de Brasil\, Italian /italiano y español | Rated/Calificacion: +16 \n \n \nIn April\, the Instituto Cervantes Vimeo channel will be filled with a selection of short films that focus on the concept of taboo from different perspectives\, but always with a thoughtful and considered\, rather than critical\, look to place viewers in the realm of reflection. \nProceeding from the international film festival La Mirada Tabú\, the eight short films in this online film series cover different styles and looks and address different hot topics in 21st-century society using different registers and genres: we will find dramas\, comedies\, parodies\, animations… to learn to face our world from a critical conscience. \nProgram\nApril 3: Places (Spain\, 2020)\, by Claudia Barral\nApril 7: Cuentas divinas (Spain\, 2023)\, by Eulalia Ramón\nApril 10: Pequeño (Spain\, 2024)\, by Alvaro G. Company and Meka Ribera\nApril 14: Work it class! (Spain\, 2021)\, by Pol Diggler\nApril 17: La hija indigna (Argentina\, 2018)\, by Abril Victoria Dores\nApril 21: Happy Friday (Spain\, 2019)\, by José Antonio Campos\nApril 24: 3\, 2 (lo que hacen las novias) (Spain\, 2011)\, by Jota Linares\nApril 28: Democracia (Spain\, 2013)\, by Borja Cobeaga
URL:https://nhccnm.org/event/cervantes-film-series-la-mirada-tabu-asomate-al-interior-cuentas-divinas/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2025/03/FIlm-Poster-Cuentas-divinas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250410
DTEND;VALUE=DATE:20250411
DTSTAMP:20260403T142527
CREATED:20250326T221831Z
LAST-MODIFIED:20250326T221831Z
UID:22903-1744243200-1744329599@nhccnm.org
SUMMARY:Cervantes Film Series: La mirada tabú. Asómate al interior: Pequeño
DESCRIPTION:12:00 pm MST\nAll the films can be seen in the link below:\nhttps://vimeo.com/showcase/la-mirada-tabu \nÁlvaro G. Company and Meka Ribera humorously present us with a moral dilemma in which parents confront their love for their daughter and the novel options of bioethics. It is one of the most transgressive works that have come to the festival La Mirada Tabú\, not only because of its subject matter\, but also because it gives voice to thoughts that many parents have had at some point and would never confess. \nSynopsis: When they are born they are beautiful\, almost perfect. But they grow up so fast… I wish there was a way to enjoy that unrepeatable age forever. Petit Toujour combines the latest advances in gene therapy and selective hormone blockade to extend your time with the most beautiful thing you have in the world\, your baby. [Source: Line up]. \nScreening: Pequeño | Director/s: Meka Ribera y Álvaro G. Company |Year: 2023 | Format: Digital | Running time: Cortometraje – 12 min | Genre: Fiction/Ficción | Country: Spain/España | Original version: Spanish/Español | Subtitles: English/Inglés\, French/Francés\, Portugies/Portugués de Brasil | Rated/Calificacion: +12 \n \n \nIn April\, the Instituto Cervantes Vimeo channel will be filled with a selection of short films that focus on the concept of taboo from different perspectives\, but always with a thoughtful and considered\, rather than critical\, look to place viewers in the realm of reflection. \nProceeding from the international film festival La Mirada Tabú\, the eight short films in this online film series cover different styles and looks and address different hot topics in 21st-century society using different registers and genres: we will find dramas\, comedies\, parodies\, animations… to learn to face our world from a critical conscience. \nProgram\nApril 3: Places (Spain\, 2020)\, by Claudia Barral\nApril 7: Cuentas divinas (Spain\, 2023)\, by Eulalia Ramón\nApril 10: Pequeño (Spain\, 2024)\, by Alvaro G. Company and Meka Ribera\nApril 14: Work it class! (Spain\, 2021)\, by Pol Diggler\nApril 17: La hija indigna (Argentina\, 2018)\, by Abril Victoria Dores\nApril 21: Happy Friday (Spain\, 2019)\, by José Antonio Campos\nApril 24: 3\, 2 (lo que hacen las novias) (Spain\, 2011)\, by Jota Linares\nApril 28: Democracia (Spain\, 2013)\, by Borja Cobeaga
URL:https://nhccnm.org/event/cervantes-film-series-la-mirada-tabu-asomate-al-interior-pequeno/
LOCATION:Virtual
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2025/03/FIlm-Poster-Pequeno.jpg
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