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DTSTART;VALUE=DATE:20180301
DTEND;VALUE=DATE:20180302
DTSTAMP:20260405T145003
CREATED:20180222T210340Z
LAST-MODIFIED:20180222T210340Z
UID:4751-1519862400-1519948799@nhccnm.org
SUMMARY:Film:  María Moliner: Tendiendo Palabras
DESCRIPTION:7 pm \nBorn in Zaragoza\, Spain in 1900\, María Moliner is known for her great work\, the Diccionario de Uso del Español. A librarian and lexicographer\, she began compiling the dictionary in 1952\, working on it in the morning and evening before and after her regular hours of employment. Moliner’s approach was to look up words\, read newspapers\, and note words that she had heard in the street\, in an effort to create a resource that would be more comprehensive than the dictionary published by the Real Academia Española. To this end\, her dictionary\, first published in 1966-1967 and republished twice since\, contained detailed definitions\, synonyms\, expressions\, and families of words. The film follows the important events in Moliner’s life\, highlighting the terms that define them and using the definitions that she herself offers in her work. Presented in partnership with Instituto Cervantes as part of the Bank of America Free Thursday Film Series. \n2017; Vicky Calavia; Spanish with English subtitles; 70 minutes; rated PG.\nFree ticketed event; tickets available one hour before show
URL:https://nhccnm.org/event/film-maria-moliner-tendiendo-palabras/
LOCATION:NHCC-BOD-January-2020-Meeting
CATEGORIES:Film,Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2018/02/Maria-Moliner-Tendiendo-Palabras-poster.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180308
DTEND;VALUE=DATE:20180309
DTSTAMP:20260405T145003
CREATED:20180222T211004Z
LAST-MODIFIED:20180222T211004Z
UID:4755-1520467200-1520553599@nhccnm.org
SUMMARY:Film:  Chavela
DESCRIPTION:7 pm \nBorn in Costa Rica to pious parents who were embarrassed by their boyish daughter\, Isabel Vargas Lizano ran away to Mexico City to sing on the streets. At the peak of her initial popularity in the 1950s\, dressed in a poncho\, she interpreted the mournful\, yearning repertoire of canción ranchera without altering the female pronouns. Her Madrid concert premiere in the 1990s\, following years in rural isolation as an impoverished alcoholic\, brought her into contact with Pedro Almodóvar\, who helped his “idol” fulfill a dream of performing in Paris. She had just returned to performing when she agreed to a 1991 interview with filmmaker Gund; much of Chavela was filmed in that year. Despite a public persona as “the most macha of the machos\,” Vargas was still not entirely comfortable with identifying openly as a lesbian at the time of filming. She ultimately confirmed her sexual orientation in 2000 at the age of 81. Presented in partnership with Instituto Cervantes as part of the Bank of America Free Thursday Film Series. \n2017; Catherine Gund & Daresha Kyi; English; 93 minutes; not rated.\nFree ticketed event; tickets available one hour before show
URL:https://nhccnm.org/event/film-chavela/
LOCATION:NHCC-Newsletter-November-2-30
CATEGORIES:Film,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2018/02/Chavela-poster.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180315
DTEND;VALUE=DATE:20180316
DTSTAMP:20260405T145003
CREATED:20180222T211838Z
LAST-MODIFIED:20180222T211838Z
UID:4759-1521072000-1521158399@nhccnm.org
SUMMARY:Film:  Ella Es el Matador
DESCRIPTION:7 pm \nThere is a long and surprising history of women fighting in the Spanish bullring—and fighting to have the chance to do so. Maripaz Vega\, a Spaniard\, is currently the world’s only professional female matador and is on the verge of achieving top ranking. Eva Florencia\, a young runaway from Italy\, is a neophyte driven by a childhood dream. Both women must deal with the legacies of sexism in Spanish bullfighting\, yet the passions that propel them are similar to those of male bullfighters—a drive to express themselves in a grand and peculiarly Spanish rite that is at once sport\, dance\, theatre\, and blood ritual. Through interviews shot in vérité style interspersed with archival footage\, the film offers a window on the highly choreographed and deadly match between bull and human that remains enormously popular in Spain\, even as it is reviled by many in an age of animal rights. Presented in partnership with New Mexico PBS as part of the Bank of America Free Thursday Film Series. \n2009; Gemma Cubero & Celeste Carrasco; English; 60 minutes; not rated.\nFree ticketed event; tickets available one hour before show
URL:https://nhccnm.org/event/film-ella-es-el-matador/
LOCATION:NHCC-Newsletter-November-2-30
CATEGORIES:Film,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2018/02/Ella-Es-el-Matador.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180322
DTEND;VALUE=DATE:20180323
DTSTAMP:20260405T145003
CREATED:20180222T221145Z
LAST-MODIFIED:20180222T221145Z
UID:4762-1521676800-1521763199@nhccnm.org
SUMMARY:Film:  Dolores
DESCRIPTION:7 pm \nOne of the most important\, yet least known activists of our time\, Dolores Huerta was an equal partner in founding the first farmworkers’ union with César Chávez. Tirelessly leading the fight for racial and labor justice\, Huerta evolved into one of the most defiant feminists of the 20th century—and she continues the fight to this day\, in her late 80s. Dolores chronicles Huerta’s life from her childhood in Stockton\, California to her early years with the United Farm Workers\, from her work with the headline-making grape boycott launched in 1965 to her role in the feminist movement of the ’70s\, to her continued work as a fearless activist\, willing to accept the personal sacrifices involved in committing one’s life to social change. The film features interviews with Gloria Steinem\, Luis Valdez\, Angela Davis\, Hillary Clinton\, and Huerta’s children\, among others. Presented in partnership with New Mexico PBS as part of the Bank of America Free Thursday Film Series. \n2017; Peter Bratt; English; 95 minutes; not rated.\nFree ticketed event; tickets available one hour before show
URL:https://nhccnm.org/event/film-dolores/
LOCATION:NHCC-Newsletter-November-2-30
CATEGORIES:Film,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2018/02/Dolores-poster.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180329
DTEND;VALUE=DATE:20180330
DTSTAMP:20260405T145003
CREATED:20180222T222446Z
LAST-MODIFIED:20180222T222446Z
UID:4765-1522281600-1522367999@nhccnm.org
SUMMARY:Film:  The Fight in the Fields: César Chávez and the Farmworkers’ Struggle
DESCRIPTION:7 pm \nA documentary recounting the history of César Chávez and the farmworkers’ movement—a story of hope and courage against overwhelming odds\, and a story of poor people taking control of their lives. Chávez\, the charismatic co-founder\, with Dolores Huerta\, of the United Farmworkers Union\, inspired a nonviolent movement that touched the hearts of millions and confronted both conservative politicians and the powerful Teamsters Union. The Fight in the Fields is the first film to cover the full arc of César Chávez’s life\, using archival footage\, newsreel\, and present-day interviews with Ethel Kennedy\, former California Governor Jerry Brown\, Dolores Huerta\, and Chávez’s brother\, sister\, son\, and daughter. Presented as part of the Bank of America Free Thursday Film Series. \n1996; Ray Telles & Rick Tejada-Flores; English; 116 minutes; not rated.\nFree ticketed event; tickets available one hour before show
URL:https://nhccnm.org/event/film-fight-fields-cesar-chavez-farmworkers-struggle/
LOCATION:NHCC-Newsletter-November-2-30
CATEGORIES:Film,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2018/02/The-Fight-in-the-Fields-poster-1.jpg
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