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DTSTART;VALUE=DATE:20211001
DTEND;VALUE=DATE:20211002
DTSTAMP:20260405T012356
CREATED:20210925T191241Z
LAST-MODIFIED:20210925T191241Z
UID:13865-1633046400-1633132799@nhccnm.org
SUMMARY:Film: Parejas creativas (Creative Couples)\, La calle de la amargura
DESCRIPTION:6 pm \nTwo aging prostitutes\, burdened by marital and financial problems\, drug and rob twin midgets—doubles for professional luchadores—in an effort to make ends meet. But the eyedrops with which they dose their victims prove fatal\, and they murder them unintentionally. Based on a true story\, La calle de la amargura takes an unflinching look at the mean streets of Mexico City. \n2015; Spanish with English subtitles; 100 minutes; rated PG-13. \nFree community event \n \nThe film cycle Parejas creativas showcases the cinematography of director Arturo Ripstein and screenwriter Paz Alicia Garciadiego\, both from Mexico City\, who have been working together since 1986. Ripstein\, who began his career under the mentorship of Luis Buñuel\, is considered one of the greatest Mexican filmmakers of all time. His creative partner and wife\, Garciadiego\, is an award-winning screenwriter; their latest collaboration is La calle de la amargura. Both are recipients of the Premio Mirada Internacional 28° FCM-PNR (Festival de Cine de Madrid-Plataforma de Nuevos Realizadores). \nThis screening is preceded by an opening reception for the series with the Consul of Mexico in Albuquerque.\nParejas creativas: Film Schedule\nSeptember 23: El evangelio de las maravillas (1988)\nSeptember 24: Así es la vida (2000)\nSeptember 30: Las razones del corazón (2011)\nOctober1: La calle de la amargura (2015)
URL:https://nhccnm.org/event/film-parejas-creativas-creative-couples-la-calle-de-la-amargura/
LOCATION:NHCC-BOD-January-2020-Meeting
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2021/09/Las-razones-del-corazon.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211005
DTEND;VALUE=DATE:20211006
DTSTAMP:20260405T012356
CREATED:20211003T182921Z
LAST-MODIFIED:20211003T182921Z
UID:13905-1633392000-1633478399@nhccnm.org
SUMMARY:Film: Día de Cine Español/Day of Spanish Cinema\, El viaje a ninguna parte
DESCRIPTION:12 pm (MST) \nAvailable for 48 hours on the Instituto Cervantes Vimeo Channel HERE \nEl viaje a ninguna parte won the first Goya Awards (Spain’s main national annual film awards) ever given\, for Best Film\, Best Director\, and Best Screenplay\, in 1987. \n1986; Spanish with English subtitles; 134 minutes; not rated. \nFree community event \n \nOctober 6 will mark the establishment of the Day of Spanish Cinema\, recognizing the important role of filmmakers in the country’s cultural and social life\, as well as the value of this artistic heritage\, now over a century old. \nIn the first celebration of this day\, Instituto Cervantes\, in coordination with the Agencia Española de Cooperación Internacional para el Desarrollo (AECID)\, presents Fernando Fernán-Gómez’ 1986 film El viaje a ninguna parte.  Adapted from the director’s acclaimed novel of the same name\, the film is the story of a family of traveling comedians who perform in rural communities during the 1940s and 1950s.  With the arrival of cinema\, their world\, and their era\, is coming to an end.
URL:https://nhccnm.org/event/film-dia-de-cine-espanol-day-of-spanish-cinema-el-viaje-a-ninguna-parte/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2021/10/El-viaje-a-ninguna-parte-poster.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211025
DTEND;VALUE=DATE:20211026
DTSTAMP:20260405T012356
CREATED:20211021T175542Z
LAST-MODIFIED:20211021T175542Z
UID:14054-1635120000-1635206399@nhccnm.org
SUMMARY:Film: FIVER\, La mirada de ellas\, 10 años de cinedanza en España: Kinxi
DESCRIPTION:12 pm \nBegins Monday\, October 25 until 12 pm on Sunday\, October 31\nOn the Instituto Cervantes Vimeo Channel Here \nIn Kinxi\, only three minutes in length\, the ensemble Piña (Sara Fontán and Clara Tena) transport the audience to the essence of cinedance. “To end up eating kimchi is to eat quiche Lorraine in a Chinese bar.” \n2012; 3 minutes; not rated. \nFree community event \n \nIn October\, Instituto Cervantes is collaborating for a third year with FIVER (Festival de Cine\, Danza y Nuevos Medios) to present a cycle of short films: La mirada de ellas: 10 años de cinedanza en España\, curated by FIVER director Samuel Retortillo. The screenings are among the activities celebrating the tenth anniversary of Baila España\, held annually in the city of Bremen\, Germany. FIVER\, an international platform for the support\, production\, and exhibition of film and dance\, promotes choreographic-audiovisual creation through the professionalization of the “cinedance” genre. The 2021 retrospective features ten short films directed by women selected as recipients of\, or finalists for\, awards by FIVER between 2012 and 2021. \nFIVER (all films available for viewing October 25-31):\n* Kinxi (Sara Fontán & Clara Tena\, codirected by Anna Rubirola\, 2012)\n* Caballo negro (Tuixén Benet\, 2013)\n* Europe Endless (Ana Cembrero\, codirected by Jorge Piquer\, 2014)\n* Fuego lento (Elena Castilla\, 2015)\n* Atma (Carla Subirana\, 2016)\n* Da mopa (Sevillanas electrónicas) (María Teresa García\, 2017)\n* Inside\, inhabited landscapes (Carmen Porras\, 2018)\n* Sinfonía del cuerpo (Mónica Ruiz van Hattem\, 2019)\n* Inside/Outside (Carolina Romillo\, 2020)\n* Vals y rumba (Laura Delgado\, codirected by Eduardo Rodríguez\, 2021)
URL:https://nhccnm.org/event/film-fiver-la-mirada-de-ellas-10-anos-de-cinedanza-en-espana-kinxi/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2021/10/Sara-Fontan-and-Clara-Tena-Photo.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20211029
DTEND;VALUE=DATE:20211030
DTSTAMP:20260405T012356
CREATED:20211014T174511Z
LAST-MODIFIED:20211014T174511Z
UID:13974-1635465600-1635551999@nhccnm.org
SUMMARY:Film: Contemporáneos\, Nuevas rutas: Young and Beautiful
DESCRIPTION:7 pm \nMarina Lameiro’s 2018 documentary offers a portrait of a disenchanted generation\, as four young people ponder their current situations\, their futures\, and a social system in which they do not seem to fit. Young and Beautiful was filmed over the course of two years\, at several locations in the Basque Country\, Navarre\, Catalonia\, and Valencia\, with the director accompanying her friends through the events of their daily lives. \n2018; Spanish with English subtitles; 72 minutes; not rated. \nFree community event \n \nThe film cycle Contemporáneos\, Nuevas rutas showcases the work of a new generation of filmmakers whose films have been released in the last few years\, and whose innovative approaches move away from more traditional formulas. \nContemporáneos: Film Schedule\nOctober 29: Young and Beautiful (2018)\nNovember 4: Tódallas mulleres que coñezo (2018)\nNovevber 5: Oscuro y Lucientes (2018)
URL:https://nhccnm.org/event/film-contemporaneos-nuevas-rutas-young-and-beautiful/
LOCATION:NHCC-Newsletter-November-2-30
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2021/10/Contemporaneos-Nuevas-rutas.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20211031T080000
DTEND;TZID=America/Denver:20211031T170000
DTSTAMP:20260405T012356
CREATED:20211028T164657Z
LAST-MODIFIED:20211028T164657Z
UID:14096-1635667200-1635699600@nhccnm.org
SUMMARY:Film: FIVER\, La mirada de ellas\, 10 años de cinedanza en España
DESCRIPTION:12 pm on Monday\, October 25 until 12 pm on Sunday\, October 31 \nInstituto Cervantes Vimeo Channel Here \nIn October\, Instituto Cervantes is collaborating for a third year with FIVER (Festival de Cine\, Danza y Nuevos Medios) to present a cycle of short films: La mirada de ellas: 10 años de cinedanza en España\, curated by FIVER director Samuel Retortillo. The screenings are among the activities celebrating the tenth anniversary of Baila España\, held annually in the city of Bremen\, Germany. FIVER\, an international platform for the support\, production\, and exhibition of film and dance\, promotes choreographic-audiovisual creation through the professionalization of the “cinedance” genre. The 2021 retrospective features ten short films directed by women selected as recipients of\, or finalists for\, awards by FIVER between 2012 and 2021.  \nFree Event  \n \nIn Kinxi\, only three minutes in length\, the ensemble Piña (Sara Fontán and Clara Tena) transport the audience to the essence of cinedance. “To end up eating kimchi is to eat quiche Lorraine in a Chinese bar.” \n2021: 3 minutes; not rated.  \nCaballo negro is the concluding part of Catalan choreographer Tuixén Benet’s final project at the Institut del Teatre\, and her first video clip. It features dancers from the group Tu Madre. \n2013; 4 minutes; not rated.  \nInspired by the work and lifestyle of “Eurocrats” in Brussels\, Belgium\, Europe Endless\, by Ana Cembrero and codirector Jorge Piquer\, features five dancers moving through empty spaces devoid of time and context. Cembrero describes the project as a fusion of three art forms: a dance film\, a theatrical performance\, and a site-specific work utilizing unconventional dance spaces. \n2014; 26 minutes; not rated.  \nThe pieces comprising Elena Castilla’s Fuego lento were developed in a choreography workshop offered by the director at the Pedro de Valdivia Juvenile Center in Villanueva de la Serena\, Badajoz. The twelve teenagers participating in the workshop responded to a series of questions in creating these works: How do you feel? What do you want to say? What would you like to do in the future? What do you long for? \n2015; 15 minutes; not rated.  \nIn Atma\, Carla Subirana tells the story of a warrior who\, forgotten by her army after losing a battle\, decides to abandon the armor that has protected her and start out on a path that will lead to a final surrender\, and to victory. \n2015; 9 minutes; not rated.  \nDa mopa (Sevillanas electrónicas)\, by María Teresa García\, embodies the dilemma of presenting a primarily musical project as a danced concert\, with themes ranging from a call to prayer to contemporary critical meta-thinking\, and highlighting the contradictions of our needs\, whether innate or acquired. \n2017; 4 minutes; not rated.  \nInspired by her performance in Mujeres que hay en mí\, as well as her own memory and those of many other women\, choreographer Carmen Porras created Inside\, inhabited landscapes to trace the ancient footsteps of a dreamlike journey through external and internal landscapes\, in which every corner resonates with the story living within the character. \n2018; 6 minutes; not rated.  \nIn Mónica Ruiz van Hattem’s Sinfonía del cuerpo\, dancer Eduardo Guerrero and singer/saxophonist Antonio Lizardo create a relationship among music\, dance\, and the environment—an ode to the body’s ability to reclaim space within the overwhelming architecture of Rotterdam. \n2019; 15 minutes; not rated.  \nCarolina Romillo’s short film Inside/Outside\, created during the pandemic\, uses contemporary dance movement to embody the anxiety and emotional ups and downs caused by imposed isolation: longing to be outside\, and forced to be inside. \n2020; 5 minutes; not rated.  \nIn Vals y rumba\, Laura Delgado and codirector Eduardo Rodríguez tell the story of a little cleaning robot in a museum and a statue of a dancer who wants to become one of the ballerinas in “The Rehearsal of the Ballet Onstage”—the Degas painting in front of which she is exhibited. Debussy’s “Moonlight” provides the score for this charming animated film\, in which art can awaken dreams and friendship can make them come true. \n2021; 6 minutes; not rated.  \nFIVER (all films available for viewing October 25-31): \n* Kinxi (Sara Fontán & Clara Tena\, codirected by Anna Rubirola\, 2012) \n* Caballo negro (Tuixén Benet\, 2013) \n* Europe Endless (Ana Cembrero\, codirected by Jorge Piquer\, 2014) \n* Fuego lento (Elena Castilla\, 2015) \n* Atma (Carla Subirana\, 2016) \n* Da mopa (Sevillanas electrónicas) (María Teresa García\, 2017) \n* Inside\, inhabited landscapes (Carmen Porras\, 2018) \n* Sinfonía del cuerpo (Mónica Ruiz van Hattem\, 2019) \n* Inside/Outside (Carolina Romillo\, 2020) \n* Vals y rumba (Laura Delgado\, codirected by Eduardo Rodríguez\, 2021) 
URL:https://nhccnm.org/event/film-fiver-la-mirada-de-ellas-10-anos-de-cinedanza-en-espana/
CATEGORIES:Film,Instituto Cervantes,Performing Arts,Theatre
ATTACH;FMTTYPE=image/jpeg:https://nhccnm.org/wp-content/uploads/2021/10/Atma-by-Carla-Subirana-1.jpg
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