• Film: Contemporáneos, Nuevas rutas: Oscuro y Lucientes

    NHCC-Newsletter-November-2-30

    7 pm Samuel Alarcón’s 2018 documentary traces the last days of the Spanish artist Francisco de Goya y Lucientes, exiled, buried, and almost forgotten in Bordeaux, and the mystery surrounding his body. Years after his death, when Goya’s remains were exhumed to be returned to Spain, it was discovered that someone had stolen the head […]

  • Film: Nuevas Cinefilias, Estaciones singulares: Arima

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Jaione Camborda’s debut feature film Arima is a story, steeped in mystery, of four women and a girl whose lives are altered when two strangers arrive unexpectedly in their village. The events in this “ghost film” move between real and imagined, nightmare […]

  • Film: Nuevas Cinefilias, Estaciones singulares: Violeta no coge el ascensor

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Mamen Díaz’ indie comedy Violeta no coge el ascensor, twenty-something Violeta is spending a stifling summer in Madrid as an intern in a publishing house. Dodging the heat between affairs that only multiply her self-doubts, she makes new friends and makes […]

  • Film: Nuevas Cinefilias, Estaciones singulares: This Film Is About Me

    12 pm (available for 48 hours) Alexis Delgado’s This Film Is About Me is a singular portrait of Renata Felicitas Soskey, serving time in a Galician prison for the brutal murder of her neighbor. Renata sees it clearly: this film is about her—about her personality, her charisma, her poetry, and her unpredictability, and not about […]

  • Film: Nuevas Cinefilias, Estaciones singulares: La reina de los lagartos

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In La reina de los lagartos, Burnin’ Percebes (Fernando Martínez and Juan González) introduce us to Berta and Javi, a couple who are saying goodbye after a summer romance. However, the spaceship that was supposed to pick up Javi, the prince of […]

  • Film: Creadores de animación para el siglo XXI: Amore d’inverno

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Isabel Herguera’s Amore d’inverno (Winter Love), a couple walks along the river while hunters hide behind a hill and friends in the forest remember the “Dancer of Clavesana,” a metaphor for free love who vanishes slowly into the winter landscape. The […]

  • Film: Creadores de animación para el siglo XXI: Jane, Tarzán nez zen horren gua

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Begoña Vicario’s Jane, Tarzán nez zen horren guay (Jane, Tarzan Wasn’t So Cool) was created by a collective of 20 young Basque artists, coordinated by the director. It reinterprets the famous scene from Cedric Gibbons’ 1934 film Tarzan and His Mate in […]

  • Film: Creadores de animación para el siglo XXI: Lursaguak

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Basque artist Izibene Oñederra’s powerful, cutting-edge works have continued to delve deeply into uncomfortable themes. Her animated film Lursaguak (Scenes of Life) is a dark, grotesque commentary on the human condition, in which millions of voles of an unknown species are undermining […]

  • Film: Creadores de animación para el siglo XXI: Patchwork

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Patchwork, created as part of María Manero’s work toward a Master of Animation at the Polytechnic University of Valencia, the director tells the story of her mother’s courage while facing a liver transplant, as well as the interconnection among human beings […]

  • Film: Creadores de animación para el siglo XXI: Yo

    12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Yo, based on a story by Arthur Schnitzler, Begoña Arostegui confronts the perplexity we encounter when we realize how we encode the world through language. For the protagonist, all days seem monotonously alike, until a simple parking sign changes everything. 2020; […]