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DTSTART;VALUE=DATE:20180812
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SUMMARY:Henry Jake Foreman:  “Changing Tides in Indigenous Arts and Community--Indigenous Models for Entrepreneurial Development
DESCRIPTION:11 am \nThis talk is part of the educational programming related to People Powered: New Mexicans and Social Movements. \nThe fourth in our People-Powered (New Mexicans in Social Movements) Series features Henry Jake Foreman.  Henry Foreman uses traditional\, Indigenous models of knowledge production along with contemporary practices.  He is the founder of the Karuna Colectiva that mentors youth in Albuquerque.  Indigenous methodologies and epistemologies guide his philosophical and research approaches to working with youth and communities to promote the health of our biosphere. He recently graduated with his Masters from the UNM Community and Regional Planning program. Since graduating he has successfully completed his teacher licensure program\, the Native Entrepreneur in Residence Program\, through New Mexico Community Capital.
URL:https://nhccnm.org/event/henry-jake-foreman-changing-tides-indigenous-arts-community-indigenous-models-entrepreneurial-development/
LOCATION:NHCC-Newsletter-August-26–September-7
CATEGORIES:History and Literary Arts
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DTSTART;VALUE=DATE:20180822
DTEND;VALUE=DATE:20180823
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SUMMARY:ABQ Latin Dance Fest Lecture Series: Cuban Music: Beyond Buena Vista Social Club
DESCRIPTION:6: 30 pm \nPRESENTER: Daybert Linares Díaz \nSYNOPSIS: In 1999\, the release of a documentary “Buena Vista Social Club\,” which depicted the process of recording the album of the same title two years prior\, became a worldwide phenomenon. After decades of partial musical obscurity due to the U.S. embargo on the island\, the international audience was once again regaled with the sounds of a pre-1959\, pre-communist Cuba. For many U.S. people\, Buena Vista Social Club signified a return to those times\, a memory of a “lost” island and rhythms—both also lost in time. \nBuena Vista Social Club’s international success and critical acclaim\, however\, bypassed entire generations of Cuban music. Indeed\, the album focused mainly on rhythms that had been produced between the 1930s and 50s. But what happened between 1959\, the year Fidel Castro took power\, and the advent of the second millennium? What music were Cuban musicians producing during this time? What new rhythms were developed? How did the music of Cuba evolve during all these years? And more importantly\, was Buena Vista Social Club an accurate representation of the contemporary music in Cuba at the time that it was released? This presentation is an invitation to explore these questions\, to listen to music\, and to learn what Cuba has produced\, musically speaking\, beyond Buena Vista Social Club.
URL:https://nhccnm.org/event/abq-latin-dance-fest-lecture-series-cuban-music-beyond-buena-vista-social-club/
LOCATION:NHCC-BOD-January-2020-Meeting
CATEGORIES:Dance,Music,Speakers
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