Film: Bless Me, Ultima
7:00 pm Rudolfo Anaya’s beloved and iconic Bless Me, Ultima returns to the NHCC with Carl Franklin’s screen adaptation in partnership with the English department of the University of New […]
Film: Bless Me, Ultima Read More »
7:00 pm Rudolfo Anaya’s beloved and iconic Bless Me, Ultima returns to the NHCC with Carl Franklin’s screen adaptation in partnership with the English department of the University of New […]
Film: Bless Me, Ultima Read More »
5:30 pm to 6:15 pm – Chilean folkloric music performed live 6:15 pm to 6:45 pm – “Violeta Parra in context” historical presentation by Dr. Carson Morris 7:00 pm –
Film: Violeta Went to Heaven (Chile) Read More »
5:00 pm–7:00 pm DJ, cash bar, and food truck 7:00 pm Film Screening Well into their 30s, Juan and Benjamin can’t seem to finish veterinary school or leave their parents’
5:00 pm–7:00 pm DJ, cash bar, and food truck 5;30 pm–6:30 pm Pre-film museum tours 7:00 pm Film Screening Join us for pre-film tours of the exhibition, Fronteras del Futuro
Film: Sleep Dealer Read More »
12:00 pm (available for 48 hours) Instituto Cervantes Vimeo Channel Here In Anabel Rodríguez Ríos’ “reflection of a divided country,” the floating village of Congo Mirador, a short distance from
Film: Érase una vez en Venezuela, Congo Mirador Read More »
12:00 pm (available for 48 hours) Instituto Cervantes Vimeo Channel Here Patricia Pérez and Heidi Hassan, directors of A media voz, are childhood friends who face the challenges of uprooting
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here Jorge Laplace’s Equipo D: los códigos olvidados documents a story of World War II that has yet to be
Film: Equipo D: los códigos olvidados Read More »
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here In Ernesto Cabellos’ Hija de la laguna, a young campesina in the Andes struggles to defend the lagoon that
Film: Hija de la laguna Read More »
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here María Silvia Esteve’s Silvia attempts to make sense of a personal history steeped in violence and denial, experimenting with