Cine

12:00 pm (available for 48 hours) Instituto Cervantes Vimeo Channel Here In Anabel Rodríguez Ríos’ “reflection of a divided country,” the floating village of Congo Mirador, a short distance from Venezuela’s Lake Maracaibo, is seen through the eyes of two women, espousing opposing ideologies, who are still trying to sustain life in a town that is dying from drought, pollution, corruption, and neglect. 2020; Spanish with English subtitles; 99 minutes; rated PG-13. Free community event

12:00 pm (available for 48 hours) Instituto Cervantes Vimeo Channel Here Patricia Pérez and Heidi Hassan, directors of A media voz, are childhood friends who face the challenges of uprooting as they try to rebuild their lives away from Cuba. This moving auto-ethnographic documentary about nostalgia, friendship, roots, and exile reflects the uneasiness of an entire generation. 2019; Spanish with English subtitles; 80 minutes; rated G. Free community event

12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here In Ernesto Cabellos’ Hija de la laguna, a young campesina in the Andes struggles to defend the lagoon that she considers her mother against South America’s largest gold mining company. Just under the lagoons of the Peruvian region of Cajamarca are rich deposits of gold, pitting farmers who fear that they will run out of water against large corporations seeking to exploit these natural resources. 2015; Spanish with English subtitles; 87 minutes; not rated. Free community

12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here María Silvia Esteve’s Silvia attempts to make sense of a personal history steeped in violence and denial, experimenting with blurred images of the Argentine filmmaker’s parents and the inconsistent memories of her sisters. It is a portrait of the bond between a mother and her daughters, and a revelation of unspoken words that find new meanings beyond pain. 2018; Spanish with English subtitles; 103 minutes; not rated. Free community event

12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here On the top floor of a Buenos Aires hospital, an aging Spanish hitman who has spent half his life in Argentina realizes that he is dying. Escaping with a supply of morphine, he sets out on a journey north to nowhere, accompanied by a girl whom he meets on the road. Javier Rebollo’s dark comedy El muerto y ser feliz is the vehicle for one of José Sacristán’s most riveting performances. 2012; Spanish with English subtitles;

12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here Set in the 1920s, Pedro Olea’s Un hombre llamado Flor de Otoño introduces one of the first homosexual characters in Spanish cinema, in an award-winning performance by José Sacristán. Lluís de Serracant is a young lawyer from a bourgeois Catalan family who leads a surprising double life: during the day, he practices his legal profession, and at night he transforms himself into Flor de Otoño, a well-known transvestite who performs in a small cabaret in Barcelona.