Film: Nuevas Cinefilias, Estaciones singulares: Arima
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Jaione Camborda’s debut feature film Arima is a story, steeped in mystery, of four women and a […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Jaione Camborda’s debut feature film Arima is a story, steeped in mystery, of four women and a […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Mamen Díaz’ indie comedy Violeta no coge el ascensor, twenty-something Violeta is spending a stifling summer […]
Reception—6 pm, Cayetana Romero Lobby Introduction to Festival Oralidad—6:30 pm, Wells Fargo Auditorium Concert, Nacha Mendez Trio—7:30 pm, Bank of America Theatre Reception and festival introduction free to the public; […]
12 pm (available for 48 hours) Alexis Delgado’s This Film Is About Me is a singular portrait of Renata Felicitas Soskey, serving time in a Galician prison for the brutal […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In La reina de los lagartos, Burnin’ Percebes (Fernando Martínez and Juan González) introduce us to Berta […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Isabel Herguera’s Amore d’inverno (Winter Love), a couple walks along the river while hunters hide behind […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Begoña Vicario’s Jane, Tarzán nez zen horren guay (Jane, Tarzan Wasn’t So Cool) was created by a […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Basque artist Izibene Oñederra’s powerful, cutting-edge works have continued to delve deeply into uncomfortable themes. Her animated […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Patchwork, created as part of María Manero’s work toward a Master of Animation at the Polytechnic […]
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Yo, based on a story by Arthur Schnitzler, Begoña Arostegui confronts the perplexity we encounter when […]